Pure McCartney

Product Information

Queenie Eye - Use the "Live" at the Tokyo Dome Version on the Collector's Edition of this "New" Album. F1 Recorded at AIR Studios, London and Odysssey Studios, London. Additional recording at Cherokee Studios, Los Angeles and Sigma Sound Studios, New York. Mixed at The Mixsuite, UK G3 Recorded at Park Gate Studios, East Sussex. Additional recording at AIR Studios, London. remixed at Hog Hill Mill, East Sussex

Always - From the "Kisses" Standards Album (Great Irving Berlin Classic). Paul's cover version is very good. B5 Recorded at Avatar Studios, New York. Additional recordings at Henson Recording Studios, Los Angeles and at Hog Hill Mill, East Sussex. Mixed at The Mixsuite, UK; Henson Recording Studios, Los Angeles; Hog Hill Mill, East SussexI Owe It All To You - Use the "Live" Version from the "Up Close" Concert at the Ed Sullivan Theater in NYC English Tea. - From the Chaos and Creation Album (Use the Best "Live " Version. Paul played it for a Full Tour and also on the "Chaos and Creation at Abbey Road" Special Show Get Out of My Way - Use Best "Live" Version I like the Performance on the "Up Close" Concert at the Ed Sullivan Theater in NYC) A1 to A6 & B1 to B4, C1, C4, D1, D2, D4, E1 to E4, F3 to F5, G4 to G6, H1, H3, H5 remastered at Abbey Road Studios, London

Magneto and Titanium Man - Use "Live" Version from Wings Over America (Originally from Venus and Mars Album With thanks to John Hammel, Keith Smith, Lee Eastman, Stuart Bell, Steve Martin, Louise Morris, Marie Weston I'll Give You a Ring - B-Side of the "Take It Away" Single. I love the "One Hand Clapping" Version.

Tracklist

There are surprising omissions. The lead singles from both 1993’s Off The Ground ( Hope of Deliverance) and 1997’s Flaming Pie ( Young Boy) are notable by their absence and there is absolutely NOTHING from 1989’s Flower In The Dirt, an acclaimed album that helped Paul restore his mojo and critical standing. This appears to be a cynical attempt to ensure that fans buy the Flowers In The Dirt archive collection reissue, which is expected later this year, and rather undermines the picture Paul paints of a a casual let’s-have-some-fun ‘mixtape’ style compilation.