Ernie Ball MVP Most Valuable Pedal

Product Information

Who is this best suited for: If you’re intending on purchasing an expression pedal in addition to a volume pedal, the EXP-1 by Fender allows you to combine the two. It’s ideal for guitarists who use an array of effects, as it allows you to directly control both the volume level and the individual parameters of other pedals.

Sound and transparency: The best volume pedals are transparent, that is, they don’t introduce any of their own “character” to the sound coming out of your setup. With some pedals it’s important that their “personality” shines through - not so with a volume pedal. If several reviewers mention a volume pedal colors their sound, that’s your cue to steer clear. Which leads us to… The pedal offers a dedicated tuner output, which also presents the possibility of using it as an expression controller. I was really impressed with this feature, as it is the perfect tool for adding a little boost in volume to my guitar or rolling off the dynamics to conclude a performance. So, which should you get? If you’re certain of your pedal placement and have room for a large volume pedal, we say go with the Boss. Likewise go with the Boss if you want to use your volume pedal as an expression pedal. Otherwise if you want the versatility and are able to provide power for an extra pedal, opt for the Ernie Ball MVP. If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows: So how do you know which type of volume pedal is best suited to your signal chain? Generally, this can be decided based on the length of your cable run. As I mentioned in the previous paragraphs, true bypass pedals lose their effectiveness when your signal chain is made up of over 18.5 ft of cables. For anything less that than, they are an ideal choice and will perform adequately.On one side of the switch, you get a more linear, gradual fade-in of your sound as you go from the heel-down position to the toe-down position. On the other one, the overall sound stays quieter for a longer range of the pedal, and it gets more intense in the last part of the sweep.

The 25K Stereo Volume Pedal features a super smooth foot sweep for precise volume control and is perfectly voiced for active audio signals. The 25k pedal is extremely versatile and can be used in stereo or mono applications. Utilizing TRS stereo cables, use the B input and B output. Tough, long lasting Kevlar cable transmits pedal travel to the 250k potentiometer and is attached by a stainless steel spring. I would recommend this pedal as easily as I would the Ernie Ball VP Jr, if not even more, in case the player in question is concerned about their pedalboard space. Positioning the volume pedal at the beginning of your signal chain will cause it to work in the same way the volume control on your guitar or bass does. It will clean up your signal, minimizing any coloration caused by an amplifier, but it won’t have any means of affecting the volume of the pedals that follow it. With an onboard polarity switch, what sold me on the EX-P is that it can work with any MIDI controller, instrument, or separate effects pedal, regardless of voltage differences. I found it simple to assign the pedal to any parameter on a MIDI controller, and use it to adjust the modulation, panning, filter sweep, or of course, the volume level. As a musician, it’s very easy to become mesmerized by effects pedals that have extreme tone-altering capabilities. Indeed, it’s a lot of fun transforming your tone and sculpting your sound using a variety of processing tools.Alternatively, I found that you can simply use the Helix to control the volume of your guitar. It soon became apparent that this device is built using high-quality components, which include an all-metal chassis and a non-slip rubber surface for maintaining complete control over the pedal’s position. Placing a volume pedal before dirt pedals is probably my least favorite way to use it, but some players might have a good reason for using it, as it all depends on the context. If you are intending to use your volume pedal with instruments that have an active signal (such as keyboards) you should look into volume pedals with an appropriate impedance value for them. Solid Construction Who is this best suited for: If you use MIDI controllers and keyboards onstage, or digital effects pedals with various adjustable parameters, the EX-P by M-Audio is a great choice. Compared to other high-end volume pedals, it’s pretty low-priced, so for those shopping on a tight budget, I’d recommend considering it.

When paired with reverbs and delays, volume pedals prove their worth. Both of these effects cause there to be decay, or tail, to the original sound. Depending on the settings of the reverb and delay pedal, the amount of time that the decay lasts varies. Using a volume pedal to control the dynamics of these effects allows you to create fade-ins and fade-outs, which are great for ambient, textural styles of playing.

Morley 20/20 Power Wah Volume

When making the selections for this list, a few things were considered. Not just any boring old volume pedal will do. Alternatively, positioning the volume pedal in the middle of your signal chain will allow you to keep your output more consistent. A popular method is to place the volume pedal just after your distortion, overdrive or fuzz, and before any reverbs or delays. This ensures that the amount of drive is kept consistent, and when you use the volume pedal to raise your dynamics, you can control how much is fed into your reverbs and delays. On your search for volume pedals, you might have become aware that rather than offering the standard single-input single-output, some of them have dual outputs installed. This is more common on stompbox-style effects, but on some high-end volume pedals, manufacturers tend to install two outputs rather than one. Expression pedals, on the other hand, are used to alter certain controls on other effects pedals without needing to bend down and use their hands. This is convenient if the musician often changes the various parameters on their pedals during a performance, as they can use multiple expression pedals to control their whole signal chain.

The DOD Mini Volume Pedal is one of the best options for players who are looking for a small unit that won’t take up a lot of space in their pedalboard. It is roughly half the size of a normal-sized pedal such as the Ernie Ball VP Jr. Since it is passive, you don’t need to power it, but you might want to place a buffered pedal after it to compensate for any potential loss of high-frequencies. The Most Valuable Pedal provides a super smooth foot sweep, ideal for precise volume control with no high-frequency loss at any volume. Works with both active and passive electronics, the MVP also includes a powerful gain boost allowing players to increase the audio signal up to +20 decibels. The MVP features a compact, rugged design consisting of a billet aluminum housing that is virtually indestructible. The minimum volume control allows for the heel position to be set at zero up to 50% for any rhythm level. Gain control allows for the toe position to be set at 100% up to a boosted 20+ decibels of gain for powerful lead levels. Requires DC 9V/100mA minimum power supply or 9V battery. VP JR250 + VP JR25 Volume PedalThe inclusion of two distinctive settings instantly raises the EX-1 above many of its competitors. It’s ideal for situations where you may be using multiple high-gain pedals, and need to keep the sharp increases in volume to a minimum. What are all these numbers? What is the difference between 250K and 500K? Should I get an active volume pedal or a passive volume pedal?