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With the UK dance venues split between R&B (in the classic sense), uptempo Motown which would eventually be known as Northern Soul and the Mod-orientated clubs where jazz was also played, a new generation of Disco DJs emerged including Chris Hill at The Goldmine at Canvey Island, Greg Edwards on London’s Capital Radio, Robbie Vincent on Radio London and Mike Shaft in Manchester. In the 1970s Munich, West Germany, music producers Giorgio Moroder and Pete Bellotte made a decisive contribution to disco music with a string of hits for Donna Summer, which became known as the "Munich Sound". [68] In 1975, Summer suggested the lyric " Love to Love You Baby" to Moroder and Bellotte, who turned the lyric into a full disco song. The final product, which contained the vocalizations of a series of simulated orgasms, initially was not intended for release, but when Moroder played it in the clubs it caused a sensation and he released it. The song became an international hit, reaching the charts in many European countries and the US (No. 2). It has been described as the arrival of the expression of raw female sexual desire in pop music. A nearly 17-minute 12-inch single was released. The 12" single became and remains a standard in discos today. [69] [70] In 1976 Donna Summer's version of " Could It Be Magic" brought disco further into the mainstream. In 1977 Summer, Moroder and Bellotte further released " I Feel Love", as the B-side of "Can't We Just Sit Down (And Talk It Over)", which revolutionized dance music with its mostly electronic production and was a massive worldwide success, spawning the Hi-NRG subgenre. [69] Giorgio Moroder was described by AllMusic as "one of the principal architects of the disco sound". [71] Another successful disco music project by Moroder at that time was Munich Machine (1976–1980).

The Night" by the Four Seasons was released in 1972, but was not immediately popular; it appealed to the Northern soul scene and became a hit in the UK in 1975 [51] Other disco producers such as Tom Moulton took ideas and techniques from dub music (which came with the increased Jamaican migration to New York City in the 1970s) to provide alternatives to the "four on the floor" style that dominated. DJ Larry Levan utilized styles from dub and jazz and remixing techniques to create early versions of house music that sparked the genre. [66] Motown turning disco [ edit ]Disco declined as a major trend in popular music in the United States following the infamous Disco Demolition Night on July 12, 1979, and it continued to sharply decline in popularity in the U.S. during the early 1980s; however, it remained popular in Italy and some European countries throughout the 1980s, and during this time also started becoming trendy in places elsewhere including India [8] and the Middle East, [9] where aspects of disco were blended with regional folk styles such as ghazals and belly dancing. Disco would eventually become a key influence in the development of electronic dance music, house music, hip hop, new wave, dance-punk, and post-disco. The style has had several revivals since the 1990s, and the influence of disco remains strong across American and European pop music. A revival has been underway since the early 2010s, coming to great popularity in the early 2020s. Albums that have contributed to this revival include Confessions on a Dance Floor, Random Access Memories, Future Nostalgia, and Kylie Minogue's album itself titled Disco. [10] [11] [12] [13] Etymology [ edit ] Rodgers, Nile (2011). Le Freak: An Upside Down Story of Family, Disco, and Destiny. Spiegel & Grau. ISBN 978-0385529655. Christmas Remix Songs For Dance: X-mas Dance 2k23 After last year's brief hiatus, Party Favorz makes a triumphant return with a dazzling array of Christmas remix songs for dance to set your holiday season alight. This year, we've meticulously selected and revamped classic tunes, infusing… Vincentelli, Elisabeth (September 17, 2020). "Róisín Murphy, a Disco Queen Ruling Her Own Galaxy". The New York Times. Archived from the original on September 24, 2020 . Retrieved September 23, 2020.

In the late '70s, Studio 54 in Midtown Manhattan was arguably the best-known nightclub in the world. This club played a major formative role in the growth of disco music and nightclub culture in general. It was operated by Steve Rubell and Ian Schrager and was notorious for the hedonism that went on within: the balconies were known for sexual encounters and drug use was rampant. Its dance floor was decorated with an image of the " Man in the Moon" that included an animated cocaine spoon. Powerful, bass-heavy, hi-fi sound systems were viewed as a key part of the disco club experience. "[Loft-party host David] Mancuso introduced the technologies of tweeter arrays (clusters of small loudspeakers, which emit high-end frequencies, positioned above the floor) and bass reinforcements (additional sets of subwoofers positioned at ground level) at the start of the 1970s to boost the treble and bass at opportune moments, and by the end of the decade sound engineers such as Richard Long had multiplied the effects of these innovations in venues such as the Garage." [27] The First Years of Disco (1972-1974)". discosavvy.com. Archived from the original on April 27, 2021 . Retrieved June 18, 2019. In November 1974, WPIX FM launched the world's first disco radio show, "Disco 102", hosted by Steve Andrews for 4 hours every Saturday night.Popular Videos – Prisencolinensinainciusol – YouTube". YouTube. Archived from the original on April 10, 2017 . Retrieved April 1, 2017. As promised, I’ve got a slew of new Diva Series for you folks over the upcoming weeks. There are so many that I’ll start dropping them on Sunday and release one every other day after that.