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At heart, it's a book about reclaiming Vivian's voice for herself. In the bigger picture, it's a book about how men took away her voice, claimed it for themselves, filled in gaps the way they felt like it, and profited. Finding Vivian Maier has an entirely different taste to it now -- it's much more flat and phony. Maier was far more interesting than the stories that have been told about her. I have spent my entire professional life creating, editing, critiquing or teaching photography and working with photographers. It has been the way that I have experienced much of the world. In a deeply personal way I feel an image is a poem about time, about “staying the moment.” Photography can defeat time. Images can keep the memory of a loved one alive, hold a moment in history for future generations, be a witness to tragedy or joy. They can also change behavior, stimulate understanding and create a sense of urgency that will move people to action. Photography is the universal language that speaks to the heart.
Vivian Maier: A Photographer’s Life and Afterlife - Goodreads Vivian Maier: A Photographer’s Life and Afterlife - Goodreads
That same rush is what propels my belief in picture editing. In a time when our global awareness is under siege by an increasingly insular perspective, the responsibility of empowering photographers whose mission is to not just capture but to investigate, to enlighten, to excite, is one of the great privileges of our time. McCullin’s career spans over six decades. He specializes in examining the underbelly of society. McCullin presents photographs that depict the unemployed, downtrodden, and impoverished. But he also creates beautiful still lifes, soulful portraits, and moving landscapes. 10. Edward Weston Sir Donald McCullin is a British photojournalist. He is well-known for his war photography and images of urban strife. He is a photojournalist without equal. He has documented the poverty of London’s East End and the horrors of wars in Africa, Asia, and the Middle East. By finding people who knew Maier as a photographer or film aficionado - the men who worked at Central Camera or at the Art Institute Film Center, work not done by Maloof for his film, the reader gets a view of her as a knowledgeable and deeply dedicated artist.
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LaChapelle has worked for several international publications. His work has ended up in commercial galleries and institutions around the world. 14. Anne Geddes I first became interested in photojournalism primarily out of an interest in history. One day, while studying the Industrial Revolution, I found myself very saddened by a photograph of a child in a factory. I remember realizing in that moment that both the child and photographer were likely no longer alive and I became fascinated by how the photograph could make me so upset for the hard life of someone who lived so many decades before me. In a way both of them became almost immortal through the photograph and there was something very compelling about that. I arrived in Iraq in November 2016, looking for stories having nothing to do with Mosul, yet I felt with so many other journalists around, I needed to find meaning elsewhere. I’m a registered nurse, so I sought out a small group of foreign medics working with the Iraqi military medics to treat people wounded during the battle. Living with this tight knit group, I began photographing our surroundings, the Iraqi medics whose job was so morbid, but who were so jovial in our downtime. His photographs make you stare for a long time because of their unique atmosphere. Doisneau’s words describe his art perfectly.”The marvels of daily life are so exciting… no movie director can arrange the unexpected that you find in the street.” 17. Steve McCurry Today, Steve McCurry is honoured around the globe and he contributes to renowned magazines all over the world. His exceptional photographic work has established him among the top photographers in the world.
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Claudia) was tall and beautiful, and I see many girls like that, but when I went home and looked at the pictures, I saw this incredible resemblance to Brigitte Bardot which got me very excited. I believe in light. Photography is light. That light is often shined into the darkest of places by the world’s bravest and most talented photojournalists. I have been most honored to support and publish work by many of them. I intend to continue nurturing, encouraging, supporting, cajoling, helping, counseling, appreciating, celebrating, and paying for professional photojournalism for as long as I am able. I believe in its power.
I’d never really noticed photography being used as art before; I’d previously only known it as fashion and advertising. I wanted to know more. It felt like magic to me at the time. This authoritative and engrossing biography shows that the real story of Vivian Maier, a true visionary artist, is even more compelling than the myth.
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That depends on your measure of success, but a few famous portrait photographers worth mentioning are Steve McCurry for his world-famous Afghan Girl image, Annie Leibovitz for her celebrity portraits, and Andreas Gursky for selling a photo for a record-breaking 4.3 million dollars.Why this book works so well is in the dual storytelling of the last few months of her life, the selling of her possessions whilst she was still alive (initially in bulk and then frame by frame – picture by picture) and the industry around her work that followed. Maier’s story had really been given to the public through one voice, that of John Maloof and his film Finding Vivian Maier – whilst that picture remains a very strong piece of work it’s still his story, this book tells hers as well. What is sad is the ending where the legal twists and turns, the copywrite and law suits are all laid out; but in many ways this action itself makes us return to the person and understand her desire for anonymity.
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His images have such a distinctive style that it’s hard not to recognize the photographer once you see them. In spite of his acid-drenched commercial style, this photographer seems to be quite balanced in real life.
Her photography explores contemporary identity and the nature of representation. These are drawn from the unlimited supply of images from TV, magazines, the internet, and art history. Indeed, because of the way Maier's work came into the public view after the contents of her derelict storage units were sold at auction to people who didn't know Maier or even what they were buying, she has for years been more of an object than a subject in what's supposed to be her own story. Throughout the book, Bannos gives a thorough account of how "mansplaining Vivian Maier contributed to her mythologizing." In turn, she provides a much-needed alternative to these largely reductive and romanticized myths. Testino has also worked as a creative director and guest editor. He is also an art collector, museum founder, collaborator, and entrepreneur. The Observer described him as “the world’s most prolific magazine and fashion trade photographer.” 19. André Kertész
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