Leftism

Product Information

a b Smith, Phil (May 2017). "Leftfield – Leftism 22". Record Collector. No.466 . Retrieved 26 May 2017. In 2010, Neil Barnes reignited the Leftfield name, and went on to release an acclaimed album ( Alternative Light Source) touring the world with the full live band. Neil has also been cementing his reputation as a top-tier DJ and record collector unleashing modern dance floor weapons, selling out venues, headlining festivals and creating some amazing nights with his sets. Revisit Joe Robert's interview with Barnes about cancer, therapy and releasing an album in 2022 from earlier this year. There are several UK/Europe pressings with identical artwork but CD matrices showing manufacturing of different periods: Frampton, Scott (August 1995). "Best New Music". CMJ New Music Monthly. No.24. p.10. ISSN 1074-6978 . Retrieved 12 May 2020.

Leftfield / Leftism 22 reissue – SuperDeluxeEdition Leftfield / Leftism 22 reissue – SuperDeluxeEdition

Worthy, Stephen (2 June 2017). "Leftfield 'Leftism 22' (Sony Legacy UK)". Mixmag . Retrieved 12 May 2020. Earl Sixteen, Cheshire Cat, Papa Dee, Djum Djum, Toni Halliday, Danny Red, John Lydon, Lemn Sissay – vocals [6]The first album in 7 years from seminal electronic music pioneers and twice Mercury Prize Nominated, Leftfield. Currently reaching a new audience through Idris Elba’s Gucci ad, this is their 4th album in their 28 year history. It's a dancefloor album full of big sounds, big songs and a big production. It's Leftfield at their purest.

Leftfield to reissue debut album Leftism on triple vinyl

Leftfield (originally comprised of Neil Barnes and Paul Daley), have been at the cutting edge of dance music since the 1990s, releasing albums that have become some of the most influential electronic records of all time around the world with their debut LP Leftism being widely regarded as one of the most boundary-pushing electronic LPs ever released. Leftfield was formed in 1989, before emerging publicly in 1990 with Not Forgotten, a song that established a template for a new strain of British house leaning away from American styles dominating UK clubs. Released in January 1995, their debut album Leftism remains one of the defining statements of dance music, a gloriously inter-woven bombardment of musical styles and immaculate grooves, nominated for a Mercury prize and later voted in the top ten greatest albums of all time by readers of Q magazine. The album spawned numerous hit singles in Open Up – their now legendary collaboration with John Lydon; Original, featuring Curve’s Toni Halliday; Release the Pressure, featuring Earl Sixteen; and Afro-Left, with vocals by Neil Cole, aka Djum Djum. The influential UK duo of Neil Barnes and Paul Daley previously reissued their seminal debut in 2017 with a remastered triple-vinyl reissue and tour for the LP's 22nd anniversary. 'Rhythm And Stealth' hasn't been repressed on wax since 2010. a b c "Burn Bassbins Burn". Mixmag. Vol.2, no.45. February 1995. Archived from the original on 4 April 2013 . Retrieved 12 May 2020.Benson, Denise (December 1999). "Leftfield: Rhythm and Stealth". Exclaim! . Retrieved 1 August 2013. Leftfield are giving their 1995 debut 'Leftism' and 1999's follow-up 'Rhythm And Stealth' fresh double-vinyl pressings, out 19th May.

Leftfield – Leftism (2017, 180 g, Vinyl) - Discogs

a b c d e f "Burn Bassbins Burn". Mixmag. Vol.2, no.45. February 1995. Archived from the original on 21 September 2012 . Retrieved 12 May 2020.Leftism was released on 30 January 1995 in the United Kingdom by Columbia Records. [4] In the United States, it was released on 15 August. [9] The single "Open Up" peaked at number 13 on the UK singles charts. [6] " Afro-Left" peaked at number 20 on the US Club Play Singles chart in 1995. [10] Leftism sold over 220,000 copies. [11] a b Eccleston, Danny (March 2000). "Inscrutable London duo's dance masterstroke. Better than the new one with the Guinness ad". Q. No.162. There has been so much music and new genres since we made Leftfism,” continues Daley. “The baton has been passed on four or five generations but i like to think our record gave music and pop culture a little nudge at the time. It was part of a movement and musical revolution that came from a DIY mentality born from the technology available. The album is like part of me that represents my youth and energy of a more innocent and quite different time both socially and musically. When I listen to it now i think: yeah, nice one, that was definitely worth all the effort and late nights.” Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.