Lady Joker: Volume 2: The Million Copy Bestselling 'Masterpiece of Japanese Crime Fiction'

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Oh man, I really, really wanted to like this one. I love Japanese literature, especially crime fiction in the vein of Keigo Higashino or Tetsuya Honda. Unfortunately this didn’t live up to books like those. Anyone who wants to buy Lady Joker will definitely get their money's worth, it's the perfect book to read and mull over for a long period of time. If there was any book you wanted to completely surround yourself with and dive into, this would be a great selection. Brokenness is incorrect, nor are they desperate: the fire of hatred has been lite and it desires action—so they kidnapped and extort the CEO of Japan’s biggest beer company, Hindoe. Takamura’s challenging, genre-confounding epic offers a sweeping view of contemporary Japan in all its complexity.”

Lady Joker: Volume 2: The Million Copy Bestselling Lady Joker: Volume 2: The Million Copy Bestselling

The book starts with a letter from Seiji Okamura to the Hinode Beer Company written in June 1947. He was one of forty employees who resigned from the company’s Kanagawa factory. It transpires in his letter that he is a member of the Baraku people - meaning Hamlet people who are a caste-like minority and the largest discriminated against population in Japan. The letter alleges that these employees received discrimination for being at the bottom of the traditional social herirachy and also for their attempts to have union recognition. The story is inspired by the unsolved Glico-Morinaga kidnapping that took place in 1984. The narrative moves between the conspirators, the executives of the company, journalists, and the police. A novel that portrays withdevastating immensityhow those on the dark fringes of society can be consumed by the darkness of their own hearts.” Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case that terrorized Japan for two years, Lady Joker reimagines this watershed episode in modern Japanese history. Takamura’s challenging, genre-confounding epic offers a sweeping view of contemporary Japan in all its complexity.This is the first volume of work published by Kaoru Takamura in the English language, although the author has published 13 novels to date in her native Japan. Lady Joker is inspired by the true life crime kidnapping an extortion by “the monster with the 21 faces” in the early 1980s which saw a targeted campaign against confectionery companies where the perpetrator(s) were never discovered. The premise sounded so good - a plan to extort money out of a beer corporation - and I was glued to the book for about the first third of it. But once it moved away from the “Lady Joker” group who commit the crime and focused on the victim of the crime, the press, and the police - it just became very boring and moved painfully slow. I can’t allow myself to not finish a book (unless it’s completely terrible) - so I continued to work my way through it although it took way longer than it should have because I just kept getting bored. Eventually I started to speed read through it just to get it done. One of Japan’s great modern writers, this second half of Lady Joker brings Kaoru Takamura’s breathtaking masterpiece to a gripping conclusion. Lady Joker’s on the move. They’ve demanded six hundred million in cash’ ‘Lady—what?’ … The assistant inspector repeated the English words. ‘Lady as in first lady. Then joker as in the trump card. Lady Joker. That’s what the crime group is calling themselves.’”

Lady Joker, Volume One by Kaoru Takamura | Goodreads Lady Joker, Volume One by Kaoru Takamura | Goodreads

Impressive, very large-scale crime(-and-more) novel of post-war Japan . . . Lady Joker is anything but your usual mystery.” This is a hard book to rate. The translation and writing style is wonderful, to an extent. I find the story quite wordy yet the minute details are what shapes the characters. Skimming the text would have portrayed the characters flatter than they are. I can definitely understand readers finding the characters flat regardless but to me, they felt very much so as I'd expect for a Japanese translated work. This isn't always the case, and at times the story really flies along. It's not even that there is more action happening, it just eases up on double and triple explanations. Like all literature, readers will take what they want from Takamura’s critique of Japanese society, but at the heart of the epic novel is a gripping crime story where the actual crime itself is almost secondary to the psychological ripples it sends through the boardrooms, police stations, press offices and homes of anyone connected. This is much more of a whydunit than a whodunit — and one that was well worth the wait.” With respect to the audiobook, actor Brian Nishii has narrated a wide range of titles and has a golden, resonant voice that was a pleasure to listen to.The second half of Takamura’s compelling crime epic—following Lady Joker, Volume 1 (2021)—plumbs the connections between corporate malfeasance and social immorality. In 1947, Seiji Okamura wrote a letter to Hinode Beer describing unfair termination of employment. Okamura, like many other "resigned employees" was destitute. "My body always remembered poverty...I am sensitive to sounds and smells...when I inhale...they seep through me...settling in my empty stomach...a futile and unchanging past...". Okamura's threatening letter from half a century ago would resurface. Was the 1947 letter still relevant in the 1990's? Was Hinode Beer compliant with any sinister criminal behavior? Were there deeply buried secrets? Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan’s largest beer conglomerate and extract blood money from the company’s corrupt financiers. Lady Joker’ was originally published as ‘Redi jōkā’ in Japan in 1997 and was translated from the Japanese by Marie Iida and Allison Markin Powell. Both volumes open with a handy Dramatis Personae. Mysterious and multilayered, [ Lady Joker] gives readers extortion and kidnapping as it critiques the dark corners of Japanese society and the human experience.”

Lady Joker, Volume Two by Kaoru Takamura | Goodreads

Admirers of intricate crime fiction, which both engages the intellect and offers insights into the hidden parts of a society, will hope for further translations of this gifted author’s work.” My only gripe is that the female characters were relegated to minor roles as “the wife” or “the secretary”. This however may be a reflection of corporate life in Japan in the 90s where women did not have roles in executive. One of my gripes about the Japanese fiction we read is it is often simply weird – little plot in favour of portrayals of outsiders. Yes, there are outsiders in Lady Joker but their outsider status and their being apart from the corporate world is not the whole plot. I hope to read more Japanese fiction where this is the case. Yet while there are acute observations of Japanese life there is also much that is recognisable about modern capitalism in Lady Joker. There is a lot of focus on the beer company and the trials and tribulations of Hinode will be recognised by many working in industries where one firm has a near monopoly of the market and remains desperate to hang onto its market share. There are multiple risks to the company, including from the kidnappers who threaten to damage their product, the opportunities for corporate exploitation by established and organised crime groups as well as the very real threat of having their finances scrutinised by the authorities. Post-war Japan. Seiji Okamura is forced to resign from Hinode Beer, Japan’s largest beer conglomerate boasting the golden Chinese phoenix as their symbol, due to alleged disloyal political connections. He writes a scathing letter, to whom it may concern, claiming that corporate behemoths value profit more than human life and hinting at political interference and corruption. He compares the position of workers to that of soldiers in the war: ‘Second-class soldiers… act as bullet shields’ (p.7). In 1994 he dies in a special care home as a defeated man, suffering from dementia.My thanks to John Murray Press U.K. Baskerville for an eARC and to John Murray Press U.K. Audio for a review copy of the unabridged audiobook edition, both via NetGalley, of ‘Lady Joker Volume 2’ by Kaoru Takamura. The audiobook is narrated by Brian Nishii. Centered around an extortion case involving a beer company, Lady Joker would ordinarily be categorized in the crime or mystery novel genre, yet the book deserves to be called an exemplary literary work that depicts contemporary society . . . A magnum opus . . . It requires extraordinary skill to fully depict the ambivalence of Japanese society, in all its detail. Reading Lady Joker together with James Ellroy’s American Tabloid and the drama behind the Kennedy assassination serves as an intriguing comparison. Viewing a society through the lens of a crime is like examining a disease or a corpse to get at the person: it exposes the foundations of human existence.” Takamura joins American writers James Ellroy, author ofAmerican Tabloid, and Don Winslow, author of several novels about the drug trade, to illuminate a society in which power and money matter far more than morality. All three write mysteries that also function as morality plays . . . Bravura.”

LADY JOKER, VOLUME 2 | Kirkus Reviews

Hallelujah! Inspired by the real-life, still unsolved Glico-Morinaga kidnapping and extortion case that led to the nationwide hunt for ‘The Monster with Twenty-one Faces,’ Kaoru Takamura’s Lady Joker is at last available in translation; epic in its scale and vision, yet gripping from first to last, this is one of the great masterpieces of Japanese crime fiction and one of the must-read books of this or any year.” I'm also a little lost on where this book falls. It's set in the 90s so it feels like I could now place it under historical fiction but at the time of original publication (1997 I think), it would be deemed fiction? It's not really a thriller considering the incident wasn't all that thrilling. There's no mystery to the reader either, only to the police and media. What does it take to break someone? Debt, life-circumstances, tragedy? Life is more than just one bad day, it is the strains of injustices that the body sustains and remembers. I heard so much good things about this book and was so excited to be able to final read it, but it just didn't meet my expectations. I probably wouldn't have finished it, if it wasn't an ARC. I found it far too detailed and slow. And to make matters worse that detail did nothing to build a picture of the setting or give me much understanding of Japanese culture. Nor was there atmosphere or tension. It just felt like reams and reams of useless information. It was very long and only started to get going about 90% of the way in, which confused me, as I couldn't see how they could wrap up the story. Some how I missed that this was only volume one of the story! I don't think I'll ever find out how this ends.A cast or dramatis personae is provided at the start of the book which becomes increasingly useful as following the initial chapters we follow the story from a range of perspectives.