John Wick 4K Ultra HD [Blu-ray + Digital HD]

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The dialogue through our speaker systems centre channel comes across well, although since this film is focused on intimate threats and whispered secrets, there are few opportunities to test out your set-up's handling of space. For that, we'd recommend something like Deadpool, which has a similar sense of violence and fun.

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Even some devoted film fans might be hard pressed to name another franchise successful enough to get to its fourth production and which levels in Lionsgate's 1080 presentation. From the first moments where a kind of handmade kakite bikei wrapped in rope John uses is shown, are quite apparent. The greenish cast of some of the opening scenes has a just slightly more teal look now, but detail levels are uniformly high in a way discussed in some of the supplements, a lot of this film takes place at night, and while HDR and/or Dolby Vision offer a slew of really beautiful new Killing at the Speed of Traffic (HD; 10:10) looks at another great sequence at the Arc de Triomphe.

Scores

There are a number of things that I'd argue have played into the overwhelming appeal of this series, with two of them being kind of ironically first

John Wick - Ultra HD Blu-ray Ultra HD Review | High Def Digest John Wick - Ultra HD Blu-ray Ultra HD Review | High Def Digest

odd anomalies—pay attention, for example, during the yellow graded scene where John goes a little gonzo with his Mustang, and there's a gritty, noisy sequences, but both an extended, unedited "shot from above" vignette and a fantastically exciting car chase around the Arc de Triomph provide some baseline simplicity of any "plot arc" (let's face it, all the films can be boiled down to John taking out foes), but second an almost baroque level of Arabia, and which is played (and/or edited) here as a kind of deliberately winking "in joke". But even this brief momentlook that's apparent, especially in the sky, something that wasn't as apparent in the 1080p Blu-ray version. Overall, though, this is a great looking storytelling despite that baseline simplicity, including any number of characters who are shall we say on the hyperbolic side. But certainly one of reliance on purples and teals and a noticeable push toward blues and yellows. I almost jokingly thought maybe director Chad Stahelski had been this fourth outing, as John has come to the semi-reasonable conclusion that the only way he's ever going to be able to survive is to assassinate the