Fragments - Time Out Of Mind Sessions (1996-1997): The Bootleg Series Vol. 17

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Ultratop.be – Bob Dylan – The Bootleg Series Vol. 17 - Fragments - Time Out of Mind Sessions (1996-1997)" (in French). Hung Medien. Retrieved February 5, 2023. My house is burnin’ up to the sky / I thought it might rain but the clouds passed by / Sorrow and pity rule the earth and the skies / I’m not lookin’ for nothin’ in anyone’s eyes.” All of these live versions are previously unreleased, apart from the 1998 recording of ‘Make You Feel My Love’ from L.A, which was on the ‘Things Have Changed’ maxi-single. CD 5 is made up of songs that have previously been available on The Bootleg Series Vol. 8: Tell Tale Signs, but it’s nice to have it as part of the box set for continuity and completist reasons. The new edition of Bob Dylan’s Bootleg Series, Fragments – Time Out Of Mind Sessions (1996-1997): The Bootleg Series Vol. 17 is released as a 5-CD deluxe box set as well as a standard 2-CD or 4-LP version. It contains in the standard version the album Time Out Of Mind in a 2022 remix and twelve selected outtakes and alternative versions

Dylan - The Bootleg Series, Vol. 17: Fragments - AllMusic Bob Dylan - The Bootleg Series, Vol. 17: Fragments - AllMusic

The album features seminal recordings from the artist’s coffeehouse era (Gerde’s Folk City, 1962), his mythic 1963 breakout concerts at New York’s Town Hall and Carnegie Hall, a duet with Joan Baez from the historic March on Washington (August 28, 1963), definitive performances from his European and world tours of 1965 and 1966, incandescent moments from the 1964 and 1965 Newport Folk Festivals and more. Premessa: sono un fan di Bob Dylan da decenni e come sempre ho acquistato a scatola chiusa la versione più ricca (5CD - Deluxe Box-Set).

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The sprawling sessions for Time Out of Mind are the focus of the 17 th installment of the outtakes and rarities-excavating Bootleg Series releases (available as a 5CD/10LP deluxe box, or 2CD/4LP highlights. Make You Feel My Love (5/21/98, Los Angeles, California) – Previously released on the “Things Have Changed” maxi-single

Fragments’ Bears Witness to Bob Dylan’s Late ALBUM REVIEW: ‘Fragments’ Bears Witness to Bob Dylan’s Late

In early 1996, Dylan, who had not released an album of original compositions since the 1990 LP Under The Red Sky, began working on new songs. From August to October, he went to Teatro Studio in Oxnard/CA with Daniel Lanois, who had produced his 1989 album Oh Mercy, to record demos for a possible new LP Dutchcharts.nl – Bob Dylan – The Bootleg Series Vol. 17 - Fragments - Time Out of Mind Sessions (1996-1997)" (in Dutch). Hung Medien. Retrieved February 4, 2023. Das führt dazu, dass der Song nun um einiges sanfter, mehr nach Country und melodischer klingt, während er sich vorher recht rau und stellenweise ein wenig schräg (im positiven Sinne) anhörte.

Aber OK, in 2008 hatte ich für die BS Ausgabe von Tell Tale Signs (mit nur 3 CDs und einem völlig überflüssigen Buch in der Box) auch schon € 100 berappt, wobei das Teil 15 Jahre später regulär nicht mehr erhältlich ist und im Preis deutlich gestiegen ist. Bob Dylan – Fragments – Time Out of Mind Sessions (1996-1997): The Bootleg Series Vol.17 Also Available in 2CD and 4LP Highlight Editions a b Greene, Jayson (January 30, 2023). "Bob Dylan: Fragments – Time Out of Mind Sessions (1996–1997): The Bootleg Series, Vol. 17 Album Review". Pitchfork . Retrieved January 31, 2023.

Dylan’s Fragments - The Spectator Bare and spectral: Bob Dylan’s Fragments - The Spectator

Matrix / Runout (Side P runout): 19439981981-P 243282E2 1348279 MRP3791/19439981981/08-B STERLING RKS CD 5 enthält bereits veröffentlichtes Material von Tell Tale Signs, weshalb ich hierauf an dieser Stelle nicht weiter eingehen möchte. Bob Dylan is my favourite recording artist and Daniel Lanois has produced some of my favourite albums, but Time Out Of Mind was never my Bob Dylan favourite album, despite having some great new (in 1997) writing on it. I felt that his voice, which was at one of it's least easy on the ears stages in the mid-1990s, was being propped up, or glossed over, by the production. The 5CD Fragments contains a new remix of the entire album which presents Time Out Of Mind with a more 'natural' sound. It still sounds like a Lanois production but some of the more processed sounds are reduced to give a more 'live in the studio' feel. Personally speaking, this is definitely now my preferred version. Disc 4 contains live versions from the years 1998-2001 - I love live Dylan but for this period, I'm primarily interested in studio recordings, but the sound quality of these recordings seems underwhelming on first listen. I don't know if they're entirely audience recordings or a combination of sources but I would have far preferred professionally recorded versions. Der Remix hebt das alles wieder auf. Man vergleiche einfach mal Standing In The Doorway in beiden Abmischungen, um den Unterschied deutlich zu hören. There are unsuccessful experiments here too in the name of super-fan pleasing completion – a few unconvincing stabs at “Mississippi” (which Dylan would subsequently nail on 2001’s Love & Theft) seem unnecessary. Much more compellingly, there is stunning warm-up rendition of traditional ballad “Water Is Wide”, whilst a selection of thoroughly fired-up, often radically rearranged live takes of Time Out of Mind songs recorded between 1998 and 2001 makes a compelling case for a release focusing on Dylan’s potent live shows from this era.

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Album – Classifica settimanale WK 5 (dal 27.01.2023 al 02.02.2023)" (in Italian). Federazione Industria Musicale Italiana . Retrieved February 4, 2023.