Captain Fantastic and the Brown Dirt Cowboy

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Elton John – lead vocals, acoustic piano (1, 2, 3, 5, 6, 7, 9, 10), Fender Rhodes (1, 4, 5, 8), clavinet (4, 6), ARP String Ensemble (5), harmony vocals (7, 8), harpsichord (9, 10), mellotron (9, 10) Between the start of the sessions and the album’s appearance there came another few months of momentous releases and events. Elton’s first greatest hits collection, released in November, became a prodigious success, soaring to what is now estimated at 24 million worldwide sales. A US chart-topper for ten weeks, it was certified 17-times platinum by the RIAA for its American sales in 2016, and is comfortably his biggest-selling album of all. Keeping a bargain A home version of this game was also produced; see Bally's 1977 'Captain Fantastic & The Brown Dirt Cowboy'. The Captain And The Kid reached No.6 in the UK and No.18 in the US, and critics and fans alike were delighted with the album. Billboard wrote: “Thanks to organic, piano-driven production, stellar storytelling and Sir’s rededication to his vocal craft, this is a triumph.” Spignesi, Stephen; Lewis, Michael (15 October 2019). Elton John - Fifty Years On - Captain Fantastic. Post Hill Press. ISBN 9781642933284– via Google Books.

Captain Fantastic is, in many ways, a highly symbolic note on which to end John and Taupin’s “classic” period. The album is the most disciplined and self-conscious effort of their careers. It’s less a concept album than a song cycle based on John and Taupin’s early partnership and career — essentially from the moment of their first meeting to the recording of Empty Sky, which served as a prologue to their meteoric rise. As ever, the new album was only one of several projects on Elton’s plate that year. He and Bernie wrote what the superstar pianist described as their most complex songs ever, for the Lestat musical, which opened at the Palace Theatre on Broadway in April 2006. Based on Anne Rice’s The Vampire Chronicles books, Lestat constituted John’s third time on Broadway as a composer, following The Lion King and Aida ( Billy Elliot: The Musical would transfer to Broadway in 2008). I thought, if you’re going to tell stories, tell stories that are accessible to people. It’s got to be about love, life, death, excess, and those are things that everyone is open to, whether they’re a politician or a plumber.” Austriancharts.at – Elton John – Captain Fantastic and the Brown Dirt Cowboy" (in German). Hung Medien. Retrieved 8 November 2021. a b Landau, Jon (17 July 1975). "Elton John: Captain Fantastic and the Brown Dirt Cowboy". Rolling Stone. Archived from the original on 29 January 2009 . Retrieved 26 November 2011.In 1976, Bally released a Capt. Fantastic pinball machine with artwork by Dave Christensen of Elton John in his "pinball wizard" character from the movie Tommy. In 1977, Bally released a "home model" version with artwork by Alan Aldridge. RPM Top 100 Albums of 1976". RPM. Archived from the original on 24 February 2014 . Retrieved 24 February 2012. I’ve often wondered just what the common, crucial element has been in the artistic downfall of so many different artists. What’s the process by which otherwise talented musicians — Bowie, the Stones, U2, Stevie Wonder, and especially Elton John and Bernie Taupin — go from frightening acuity to rote professionalism? After considering the matter for some time the only answer that makes any sense is hunger. Everyone starts from the same point of hunger. Desire propels the artist through the stratosphere at frightening velocities, enabling them to accomplish Herculean feats of artistic mastery for as long as they remain in motion. a b Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.

In September 2005, Elton John and his band again performed the entire album (minus "Tower of Babel" and "Writing") in a series of sold-out concerts in Boston, New York City and the tour's final stop, Atlanta, in October. These "Captain Fantastic Concerts" were a part of the Peachtree Road Tour and were the longest concerts in Elton's career, many lasting at least three and a half hours. The songs from Captain Fantastic were aired by Capital Gold Radio in a broadcast taken from 16 September 2005 performance in Boston.

‘His defiance is still arresting’

Curtains", among other songs from the album, was sampled in Pnau's 2012 album Good Morning to the Night. Christgau, Robert (16 June 1975). "Christgau's Consumer Guide". The Village Voice. New York . Retrieved 27 May 2013. Captain Fantastic and the Brown Dirt Cowboy is the ninth studio album by English musician Elton John. The album is an autobiographical account of the early musical careers of Elton John (Captain Fantastic) and his long-term lyricist Bernie Taupin (the Brown Dirt Cowboy). It was released in May 1975 by MCA Records in America and DJM in the UK and was an instant commercial success. The album was certified gold before its release, and reached No. 1 in its first week of release on the US Billboard 200, the first album to achieve both honors. It sold 1.4 million copies within four days of release, and stayed in the top position in the chart for seven weeks. [3] [4]

Structurally, the lyric is one of Taupin’s more ingenious inventions, a four-stanza free verse poem without chorus. The music begins at the exact point where “We All Fall in Love Sometimes” fades into something more expectant, rising and rising into an inexpressible crescendo. Like “God Only Knows”, the song instills an almost numinous sense of awe in the presence of what could only be described as divine harmony. Before, I just used to write melodies to Bernie’s experiences and fantasies,” he told Melody Maker. “I identify with this album so much more than anything else I’ve done. For me it will always be my favorite album. But that’s from a purely selfish point of view. Whether it will stand the test of time, who knows? You can only tell in retrospect.” a b "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time". Rolling Stone. 2012 . Retrieved 18 September 2019.GRAMMYs' Best Albums 1970–1979". grammy.org. Archived from the original on 4 March 2014 . Retrieved 1 November 2011. Bally made an unknown quantity of playfields for this game having orange star rollover inserts instead of the usual green ones. This version is seldom seen, which indicates the quantity made was small. Pictured in this listing are three different examples of this "orange version" playfield. Two of the three also have a white droptarget Special insert, instead of the expected red-colored one. The production run of this game was over 16,000 units, and these "orange version" playfields may have simply resulted from spot shortages during the production run of playfield parts having the correct colors. More information is needed to understand the reason for these playfield differences.