Nora Webster

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The writing of Lewis and Barnes and Oates about grief is deeply personal, precise and particular. The feeling they describe is unique because the person grieved over was unique. The loss happened only once. But the writing is also public; it does not come in diary form with many cryptic references. Its source is perhaps the very source of fiction itself – the mysterious and compulsive need to find a rhythm and an artful tone to suggest and communicate the most private feelings and imaginings and facts to someone else, to make sentences which will move from mirroring the writer to allowing the reader to catch a more intense glimpse of the world. I enjoyed this quiet and unassuming novel, watching Nora and the boys change as Nora learns to live her own life. I loved the moment, three years later, when she realizes she can do what she wants now, that there is no one who can tell her she can't. In this case, it was about redecorating her home. I loved the two boys, they too change in many ways, but the youngest watches closely everything that goes on. It takes great skill as a writer to make the most common events interesting and for me this author did just that. Unlike Eilis Lacey, Nora does not cross the Atlantic, she learns to sing. The discovery of music in her life gives her “a line towards brightness, or some beginning”, writes Tóibín, a master of less is more. At the same time, because he is also exploring Ireland at a crossroads, an infinitely fascinating web of allusion, taut with nuance and subtlety, and because no Irish writer returning to his or her homeland can ever quite step out of Joyce’s shadow, Nora Webster carries a burden of detail missing from Brooklyn. Put simply, Tóibín’s novel contains an awful lot of its author and his resonant sonority. This cuts both ways, good and bad.

Kirkus called Nora Webster "[a] novel of mourning, healing and awakening," noting that "its plainspoken eloquence never succumbs to the sentimentality its heroine would reject." [1] Having never struggled for money, Kavanagh doesn’t understand Nora’s problems. Nora thinks Kavanagh is spoiled and privileged. In the meantime, Fiona needs money to finish her teacher training, and Aine doesn’t know how she’ll graduate university without money to pay tuition fees. Nora knows that, however much she despises Kavanagh, she needs this job to keep her family afloat. From one of contemporary literature's bestselling, critically acclaimed and beloved authors, a magnificent new novel set in Ireland, about a fiercely compelling young widow and mother of four, navigating grief and fear, struggling for hope. Brown, Mark (18 November 2014). "Costa 2014 book awards shortlist includes first novel by ex-Mormon". the Guardian . Retrieved 7 January 2022.In Lavin's stories about solitude and widowhood, her characters live in a twilight time. They barely manage. One of her stories about grief and its aftermath, controlled grief, is "In the Middle of the Fields". In the first sentence, she establishes that her heroine is alone in an isolated rural place. And then the next sentence reads: "And yet she was less lonely for him here in Meath than elsewhere."

The novelists have become characters in their own books. By the urgency of the tone, they make clear, however, that, in the aftermath of loss, nothing they can invent compares to it. And that, since they are writers, what happened needs to be written down so that it can be known and shared and understood, so that it can lose its incoherence. And so that they, in their powerlessness and helplessness, can at least still do this, can at least write down what it was like.

When we are told, en passant, about “Catholics marching for civil rights”, another character remarks: “That’s one scrap I wouldn’t like to be in. There will be no easy way out of that one.” But, as every historical novelist knows, lines loaded with history will always be at odds with the quest for “truth in the simplest detail”. Later, after another reference to “baton-charges”, we hear about the young Charles Haughey and his gun running. Then, towards the end, comes news of Bloody Sunday.