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Bert Weedon's Play in a Day: Guide to Modern Guitar Playing (Guitar)

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Certainly in Britain, it was never issued in America. It's been very helpful. I suppose virtually every guitar player said 'I learnt from your book, Bert'. You've got a list down here of some of the people who did it."

For the restaurant job, Stephane said 'I would like you to take the job'. So I said 'I'd love to take the job, but I've got to be perfectly honest. I'm not going to try and play like Django Reinhardt, because no one can. I'd only be a second-hand copy of Django Reinhardt'. Stephane said 'You are very sensible, Bert. You play like Bert Weedon and you will be a star. Do not be a copyist'.

Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap

Among those who were inspired by the televised lessons was Mike Oldfield, who told me: "I saw him on television when I was seven and immediately persuaded my father to buy me my first guitar. If it wasn't for Bert I might never have taken it up in the first place." Condition: Neu. Neu - Offers tips for selecting the right guitar, the correct amplifier, how to hold your instrument and plenty of tunes and exercises to get to grips with. 44 pp. Englisch. BEATLES BLAST OWN HIT DISC! 3-Year-Old Record 'Terrible Could Be Anybody the Beatles Have Another Disc in the Pop SO —And They Are Hopping Mad About ItThen I thought 'I've got to find a teacher'. After looking for about a year or so, I found a teacher and to my utter surprise he was in a place called Manor Park, which is adjacent to East Ham. His name was James Newell and he said 'You want to learn the guitar? Well, it's a shilling a lesson'. Weedon was born in East Ham, east London, the son of a train driver who had a collection of hillbilly records and was an amateur singer. Weedon bought his first guitar aged 12 from Petticoat Lane market. (In 2003 he received an apology and damages from the BBC after the publicity for a radio programme had inexplicably claimed that he learned to play the guitar while in jail.) A young lad came in and he stood watching me. I thought he was a messenger boy, so I stopped and I said 'Do you want me, son?' Nebraska was cut on crap equipment… It wasn't a proper recording setup. It was also recorded by somebody who'd never recorded anything before”: How Bruce Springsteen recorded his most important album in his bedroom with just a Gibson J-200 and a TEAC 144

Epiphone and Kirk Hammett team up for the Metallica guitarist’s signature 1979 Flying V – an affordable version of “one of the most important heavy metal guitars of all time”

So I still play the Fender, but now I use the Parker guitar as well because it's so light and I can stand up and do the show without bending over, which for an old man is a marvellous asset. I'm very impressed with the Parker guitar and I'm impressed with the Fender guitar." Right,' he said, 'what sort of music d'you like, son?' So I said, 'I love jazz' and he said "Jazz? I'm not going to teach that rubbish." I found a little cheap boarding house and I went down there and I used to go and sit on the end of Southend pier every day and I got better from TB. Although, I did have a relapse a few years later. My mouth fell open and I said 'Please teach me that" because I'd never heard a classical guitar, never knew anything about Chopin. I was a kid from the East End of London. He said 'I'll teach you'. And that man, apart from my father, was the biggest influence of my life ever because I stayed with him for about 4 years. He taught me to read music, write music, the basic harmonies, major and minor chords, etc."

He soon graduated to the semi-professional Dixieland jazz group Harry Gold's Pieces of Eight and performed with the violinist Stéphane Grappelli and the pianist George Shearing in the early 1940s. Weedon and the classical guitarist Julian Bream provided the music for a postwar London production of Lorca's Blood Wedding. I've also got the Guild guitars [the Bert Weedon Guild]. I've got an original Hofner. I've got two or three Yamahas. In all I think I've got thirteen or fourteen guitars. And, of course, Marshall amps. I said 'I'd rather stay in England here because I'm a big fish in a small pond. In America you've got great, great guitar players. I'd be a smaller fish in a huge pond'. I said 'So I'm happy here and I've got a wife and baby" so I didn't go. But it was very enjoyable working with people like Sinatra and Nat King Cole."The first amplified guitars were beginning to appear and Weedon became an enthusiastic exponent, playing in the orchestras of Ted Heath, Mantovani and Ronnie Aldrich. His career was interrupted by a bout of tuberculosis. After he was discharged from hospital, doctors advised him to avoid smoky dancehalls and nightclubs, so he switched the focus of his career to records, radio and television. I was doing a broadcast with Caroll Gibbons at the Savoy Hotel, one time. We were playing away - it was only radio, of course. I turned my head from the mic because I wanted to cough, and blood started pouring out of my mouth. He is survived by his second wife, Maggie, two sons, Geoff and Lionel, eight grandchildren and a great-grandson.

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