Haramain Detour Noir 100ml

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Edgar G. Ulmer: The Man Off-Screen, a 2004 documentary featuring interviews with actor Ann Savage and filmmakers Roger Corman, Joe Dante, and Wim Wenders

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Kehr, Dave (1992-12-11). "A LONG JOURNEY TO LEGITIMACY". chicagotribune.com . Retrieved 2020-06-04. Shortly after the film's release in November 1945, Mandel Herbstman, the reviewer for the trade journal Motion Picture Herald, rated the production as only "fair". Herbstman was impressed, however, with the film's overall structure. "Venturing far from the familiar melodramatic pattern", he wrote, "director Edgar G. Ulmer has turned out an adroit, albeit unpretentious production about a man who stumbles into a series of circumstances which seals his doom." [16] He especially liked its conclusion and noted, "Making no compromise with the 'happy ending' formula, the film has a number of ironic and suspenseful moments." [16] Gorman, Edward; Mossman, Dow (1988). "Introduction". In Gifford, Barry (ed.). The Devil Thumbs a Ride & Other Unforgettable Films. New York: Grove Press. p.2. ISBN 0-8021-3078-X.

With reshoots out of the question for such a low-budget movie, director Ulmer put storytelling above continuity. For example, he flipped the negative for some of the hitchhiking scenes. This showed the westbound New York City to Los Angeles travel of the character with a right-to-left flow across the screen, though it also made cars seem to be driving on the "wrong" side of the road, with the hitchhiker getting into the car on the driver's side. Detour is a 1945 American independent [2] film noir directed by Edgar G. Ulmer starring Tom Neal and Ann Savage. The screenplay was adapted by Martin Goldsmith and Martin Mooney (uncredited) from Goldsmith's 1939 novel of the same title, and released by the Producers Releasing Corporation, one of the so-called Poverty Row film studios in mid-20th-century Hollywood. [3] The film, which today is in the public domain and freely available for viewing at various online sources, was restored by the Academy Film Archive in 2018. [4] In April that year, the 4K restoration premiered in Los Angeles at the TCM Festival. [5] A Blu-Ray and DVD was released in March 2019 from the Criterion Collection. [6] In 1992, Detour was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [7] [8] Plot [ edit ]

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a b c Morton, Lisa; Adamson, Kent (2009). Savage Detours: The Life and Work of Ann Savage. Jefferson, North Carolina: McFarland & Co. ISBN 978-0-7864-4353-6. OCLC 423587955. Coursen, David (February 1976). "Detour: Closing Down the Open Road". Movietone News. 48 . Retrieved 21 April 2013. The film was released to television in the early 1950s, and it was broadcast in syndicated TV markets until the advent of mass cable systems. TV reviewers casually recommended it in the 1960s and 1970s as a worthwhile "B" movie. Then, by the 1980s, critics began citing Detour increasingly as a prime example of film noir, and revival houses, universities and film festivals began presenting the crime drama in tributes to Edgar G. Ulmer and his work. The director died in 1972, unfortunately before the full revival of Detour and the critical re-evaluation of his career occurred. Tom Neal died the same year as Ulmer, but Ann Savage lived long enough to experience the newfound acclaim. From 1985 until just two years before her death in 2008, she made a series of live appearances at public screenings of the film. [ citation needed]Al recalls a time there when he was bitter about squandering his musical talent playing in a cheap nightclub. After his girlfriend Sue Harvey, the nightclub's lead singer, quits her job and leaves New York to seek fame in Hollywood, Al becomes depressed. After anguishing a while, Al decides to travel to California to marry Sue. With little money to his name, Al is forced to hitchhike across the country. Ebert, Roger (June 7, 1998). "Great Movies: Detour". Chicago Sun Times . Retrieved December 11, 2007.