The Philosopher's Stone: the Unreleased Tapes

Product Information

Spera, Keith (25 January 2008). "Eric Lindell shines on new Low on Cash, Rich in Love". Nola.com. Archived from the original on 28 January 2008 . Retrieved 3 February 2007. Van and Jordan honoured by France". The Irish Independent. 1 July 1998 . Retrieved 25 January 2009.

Grammy Hall of Fame award". National Academy of Recording Arts and Sciences. Archived from the original on 22 January 2011 . Retrieved 18 December 2008. His spiritually themed style of music first came into full expression with Astral Weeks in 1968 and he was noted to have remained a "master of his transcendental craft" in 2009 while performing the Astral Weeks songs live. [315] [316] [317] [318] This musical art form was based on stream of consciousness songwriting and emotional vocalising of lyrics that have no basis in normal structure or symmetry. His live performances are dependent on building dynamics with spontaneity between himself and his band, whom he controls with hand gestures throughout, sometimes signalling impromptu solos from a selected band member. The music and vocals build towards a hypnotic and trance-like state that depends on in-the-moment creativity. Scott Foundas with LA Weekly wrote "he seeks to transcend the apparent boundaries of any given song; to achieve a total freedom of form; to take himself, his band and the audience on a journey whose destination is anything but known." [305] [319] Greil Marcus wrote an entire book devoted to examining the moments in Morrison's music where he reaches this state of transcendence and explains: "But in his music the same sense of escape from ordinary limits – a reach for, or the achievement of, a kind of violent transcendence – can come from hesitations, repetitions of words or phrases, pauses, the way a musical change by another musician is turned by Morrison as a bandleader or seized on by him as a singer and changed into a sound that becomes an event in and of itself. In these moments, the self is left behind, and the sound, that "yarragh," becomes the active agent: a musical person, with its own mind, its own body." [320] A book reviewer further described it as "This transcendent moment of music when the song and the singer are one thing not two, neither dependent on the other or separate from the other but melded to the other like one, like breath and life ..." [321] Van Morrison announces new album 'Versatile' ". Rolling Stone. 1 September 2017. Archived from the original on 11 November 2017 . Retrieved 19 November 2017. Sexton, Paul (7 April 2006). "Van Morrison: seeking the man inside". The Independent. London. Archived from the original on 1 April 2010 . Retrieved 25 January 2008. Evans, Paul (1992). "Van Morrison". In DeCurtis, Anthony; Henke, James; George-Warren, Holly (eds.). The Rolling Stone Album Guide (3rded.). Random House. pp.487–88. ISBN 0-679-73729-4.Quinlan, Ronald (3 January 2010). "Duping world's press on reclusive Van's 'baby' is festive child's play". The Irish Independent . Retrieved 10 January 2011. Egan, Barry (3 January 2010). "Why Van and Michelle live their hymns to the silence". The Irish Independent . Retrieved 4 January 2010. Sony Music acquires Van Morrison catalogue: Press Release". The Music Network. 27 October 2017 . Retrieved 11 November 2022. Fusilli, Jim (24 February 2009). "Van Morrison revisits 'Astral Weeks' ". The Wall Street Journal . Retrieved 24 February 2009.

Van Morrison at All About Jazz". Allaboutjazz.com. Archived from the original on 1 September 2009 . Retrieved 12 December 2009. Fallis, Jeff (31 August 2015). "Van Morrison: Between the Heart and the Throat". Paste Magazine . Retrieved 25 June 2019.

Van Morrison, Terry George and Bill Monahan honored in LA". US-Irish Alliance. Archived from the original on 26 July 2007 . Retrieved 30 March 2007.