The Tombs of Atuan: Volume 2 (Earthsea Cycle)

Product Information

Cadden, Mike (2005). Ursula K. Le Guin Beyond Genre: Fiction for Children and Adults (1sted.). New York, NY: Routledge. ISBN 0-415-99527-2. Cummins, Elizabeth (1990). Understanding Ursula K. Le Guin. Columbia, South Carolina, US: University of South Carolina Press. ISBN 978-0-87249-687-3.

After Kossil discovers that Ged exists, however, Tenar must choose to either kill Ged or escape with him. To buy time, Manan helps her dig a false grave and fake Ged’s death. But things come to a head when Kossil discovers the false grave around the same time that Ged discovers and retrieves the ring of Erreth-Akbe. At this point, Tenar realizes she must choose immediately, and she chooses to leave with Ged. They escape the collapsing tombs and locate Ged’s boat on the coast, charting a course for the Hardic island of Havnor. The Tombs of Atuan is a 1971 science fiction novel by the legendary American author Ursula K. Le Guin. First published in a 1970 issue of the periodical Worlds of Fantasy, The Tombs of Atuan is the second installment of Le Guin’s Earthsea series. The book follows the characters Ged and Tenar—the former a would-be thief who becomes trapped in the titular tombs after attempting to steal a valuable talisman, and the latter a child being groomed as a high priestess who falls under the sway of Ged’s unorthodox, rebellious ways. Arha enters the Great Treasury with water and stolen bread. Sparrowhawk doesn't recognize her. She says, "It's I, Arha - Tenar. I brought you water. Here, drink." He drinks, but he is weak and fumbling. He declines the bread despite not having eaten in 2 days and puts his head in his hands. She falls to her knees and sobs, but without tears. He comforts her calling, "Tenar - ". But she replies that she is not Tenar, not Arha, and the gods are dead.Pixieltd on Reading The Wheel of Time: Taim Tells Lies and Rand Shares His Plan in Winter’s Heart (Part 3) 4 hours ago Yet—and here is where Le Guin deepens her proto-feminist critical intuition—even the power of the Godking is illusory, for when Arha takes the name Tenar and escapes the Tombs with Ged, when she passes through what to her seems a gigantic city and thus represents the might of the Kargish Empire which could, in her mind, crush Ged’s lands to the west, Ged gently quiets her naiveté and lets her know that Kargad is but a small land, its cities small, its Godking barely more than a minor warlord. Indeed, the Godkings are but petty men, so afraid of others having power that they both banished magic—understood in Earthsea as the ability to have power over other life through the knowing of true-names—and labeled writing a dark art. Separated from the rest of Earthsea by geological happenstance, the Godkings ruled the four islands of Kargad like British middle-schoolers stranded on an uninhabited island. a b c d e f g h Comoletti, Laura B.; Drout, Michael C. (2001). "How They Do Things with Words: Language, Power, Gender, and the Priestly Wizards of Ursula K. Le Guin s Earthsea Books". Children's Literature. 29: 113–141. doi: 10.1353/chl.0.0786. In this second novel in the Earthsea series, Tenar is chosen as high priestess to the ancient and nameless Powers of the Earth, and everything is taken from her—home, family, possessions, even her name. She is now known only as Arha, the Eaten One, and guards the shadowy, labyrinthine Tombs of Atuan. Arha's routine is disrupted by her discovery of the wizard Ged (the protagonist of A Wizard of Earthsea) in the undertomb. She traps him in the labyrinth by slamming the door on him, and through a peephole sees him unsuccessfully attempt to open the door with a spell. [29] Trapped in the labyrinth, Ged eventually collapses out of exhaustion, and Arha has him chained up while debating what to do with him. After questioning him, she learns that he has come to the Tombs for the long-lost half of the ring of Erreth-Akbe, a magical talisman broken centuries before, necessary for peace in Earthsea. [14] The other half had come into his possession by pure chance, and a dragon later told him what it was. Arha is drawn to him as he tells her of the outside world, and keeps him prisoner in the tombs, bringing him food and water. [30] However, Kossil learns of Ged's existence, forcing Arha to promise that Ged will be sacrificed to the Nameless Ones; however, she realizes that she cannot go through with it. She instructs Manan to dig a false grave underground, while she herself takes Ged to hide in the treasury of the Tombs.

Though significantly shorter than A Wizard of Earthsea, The Tombs of Atuan showcase Le Guin's incredible skill at delivering powerful narrative, style, and characterization in very little space. Compared to the first book, which crosses the line somewhat between fairy tale and typical fantasy styles, the Tombs of Atuan in its limited scope feels much more fairy tale and surreal. It feels ancient - showing a place in Earthsea which has remained unchanged for thousands of years, making you feel as though you are delving the secrets of an ancient land like something out of the Hyborian age. I also appreciate the theme of seeking truth versus believing what you are told, and the value of seeking the wisdom of expertise, a through-line theme of the series. It today’s modern age of “my ignorance is a good as your knowledge” it’s nice to return to a world where education is revered. Le Guin let down a lot of folks when she couldn’t imagine a girl-wizard becoming a powerful wizardess in her first Earthsea novel. She then made the rather startling decision to write a sequel in which Ged appears only halfway through and in which he is not, in fact, the protagonist. True, Tombs ’s Arha is not a wizard and even lives in a land where wizards are barely more than a legend, but Arha is a priestess, the High Priestess of the Tombs, born into her office as First Priestess, raised believing in her continued rebirth since time began, and brought into service of the Nameless Ones who dwell below the Tombs of Atuan, who in her and the Kargs’ beliefs have dwelt so since the beginning of time. Arha, in short, is powerful beyond measure. At least in word.Although lonely, Tenar’s childhood is marked by friendship to some degree. She develops a very close bond with Manan, and another close bond with a fellow similarly aged priestess-in-training known as Penthe. The two priestesses charged with training Tenar are named Thar and Kossil. Thar is intensely stern but also fair. Kossil, on the other hand, is hateful and suspicious of Tenar’s growing power, and jealous of the esteem in which Tenar is held by the Nameless Ones. Through her training, Tenar learns to navigate the labyrinthine tunnels beneath the tombs, where it is said there is a highly valuable treasure that “evil” sorcerers of Hardic descent have sought for years. Part of Tenar’s duty as high priestess is to protect this treasure. In 2004, A Wizard of Earthsea and The Tombs of Atuan were adapted to a miniseries starring Shawn Ashmore as Ged. The series made a number of changes to the books of which Ursula K Le Guin did not approve. Most of the characters are made to be light skinned, so that Ged is pale skinned, but Tenar was portrayed by a person of color. The timeline was also changed, so that Ged is approximately the same age as Tenar, and they fall in love. Tenar is not called Arha. Wolk, Anthony (March 1990). "Challenge the Boundaries: An Overview of Science Fiction and Fantasy". The English Journal. 79 (3): 26–31. doi: 10.2307/819230. JSTOR 819230. Now 15, Arha reflects on her life as the full Priestess of the Tombs of Atuan. Though she receives respect from others, her daily chores and religious duties remain unchanged. She fears this monotony will persist from age 6 to 15 until the end of her days. Arha confides her concerns to Manan, who surprises her with actual answers. He recounts how noble quarrels were once resolved by seeking counsel from the Nameless Ones through the Priestess of the Tombs. However, since the Godking conquered the 4 lands of the Kargad Empire, he has taken on the role of settling disputes. Each successive Godking's worship waned. Now, the only remaining ritual is the sacrifice of prisoners to the Tombs. Erlich, Richard D. (1987). "Ursula K. Le Guin and Arthur C. Clarke on Immanence, Transcendence, and Massacres". Extrapolation. 28 (2): 105–129. doi: 10.3828/extr.1987.28.2.105.

The story follows a girl named Tenar, born on the Kargish island of Atuan. Born on the day that the high priestess of the Tombs of Atuan died, she is believed to be her reincarnation. Tenar is taken from her family when five years old and goes to the Tombs. [14] Her name is taken from her in a ceremony, and she is referred to as "Arha", or the "eaten one", [24] after being consecrated to the service of the "Nameless Ones" at the age of six with a ceremony involving a symbolic sacrifice. [28] She moves into her own tiny house, and is given a eunuch servant, Manan, with whom she develops a bond of affection. Gender and power feature as themes through The Tombs of Atuan. The labyrinth has been described as a tomb for the lives that Kargish women could have led. [54] Le Guin herself stated that the theme of The Tombs of Atuan was sex, a statement which reviewers have suggested meant not physical intimacy, but yearning and the recognition of potential for intimacy. [55] The role of the women priestesses at the Tombs is analogous to that of Kargish women in their society; though the priestesses have eunuch servants and male guards ostensibly to protect them, the Tombs are a prison, and act to isolate the women from the rest of society. [55] The priestesses have internalized this situation, and act to enforce it: Kossil's cruelty is described as epitomizing this. [55] Brought into this environment, Tenar's development as a person is not the result of choices she made, as is the case with Ged in A Wizard of Earthsea; instead, her coming of age is forced upon her. [47] The hold that the darkness has over her does not disappear when she escapes and the Tombs are brought down in an earthquake by the nameless ones. She contemplates killing Ged, blaming him for her pain, but eventually learns to accept her guilt over her actions, realizing that though she had no choice in her actions as a priestess, she now has a choice to move away from them; but this "freedom is a heavy load". [51] [29] Le Guin ends the novel with the reassuring sentence "Gravely she walked beside [Ged] up the white streets of Havnor, holding his hand, like a child coming home", suggesting that she has been successful in finding new connections in her life. [52] The conclusion of the novel represents the successful end of a quest that Ged undertook as a mature wizard, part of the story arc that traces his character development across the first three Earthsea books; thus The Tombs of Atuan has been described as part of Ged's coming-of-age as well. [53] Faith and belief [ edit ] Scholars have compared The Tombs of Atuan to The Beginning Place, another of Le Guin's fantasy works; both stories have a female protagonist guiding a blundering male through a labyrinth of sorts. [40] Comparisons have been made to a number of Le Guin's works which have a notion of a dream world in which the protagonists undergo a transformation; in The Tombs of Atuan, this is the labyrinth. [40] Ged's journey through the series has been compared to the traditional heroic quest, including a "descent into the underworld" represented by the labyrinth in The Tombs of Atuan. It has drawn comparisons to the character of Alvin in Arthur C. Clarke's novella The City and the Stars. [66] [67] Publication and reception [ edit ] She realizes the Nameless Ones give and create nothing. They only darken and destroy, but cannot leave the place because they are the place. They should not be denied or forgotten, but also should not be worshipped. Sparrowhawk admits the Earth is beautiful, bright, and kind, but also terrible, dark, and cruel. The Nameless Ones may trap many, but "You are free, Tenar. You were taught to be a slave, but you have broken free." Warming up, she asks how he knew her name. He explains the history and nature of magic comes from learning the true names of things. She clarifies how he knew her specific name. He cannot explain how his gift works. He can only liken it to a lantern they tried to cover, yet whose light still shines. Knowing the light means knowing her. Knowing her means knowing her name.The Tombs of Atuan / ˈ æ t uː ɑː n/ [4] is a fantasy novel by the American author Ursula K. Le Guin, first published in the Winter 1970 issue of Worlds of Fantasy, and published as a book by Atheneum Books in 1971. It is the second book in the Earthsea series after A Wizard of Earthsea (1969). The Tombs of Atuan was a Newbery Honor Book in 1972. The book is based around a girl named Tenar, renamed Arha, who is placed in the tombs of Atuan as the high priestess for the " Nameless Ones". Hatfield, Len (1993). "From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu". Children's Literature. 21 (1): 43–65. doi: 10.1353/chl.0.0516. hdl: 10919/25443.