Winchelsea

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It started off with intrigue, a tale retold from another who heard it first hand, of a girl, rescued at birth, raised with intention, but destined to become her own person, strong brave and independent. But just when you are getting into her story, a child she still is at this point, it goes off on such a tangent I was confused what the author was even thinking. It goes from a smugglers tale, based on real people, places, and events, a tale of a girl facing the loss of the only father she ever knew just as she learns he is not all she thought, to being about a child, for she is still a child of 16, exploring her burgeoning love for another woman, and her lust for her adopted brother��oh, and nearly being raped by her true father, and that’s where I lost interest. The main character of Goody was enthralling to read about through her character journey and transformations. She is quite flawed and rebellious and takes part in many questionable deeds and adventures but you cannot help but love her. I read Winchelsea with a bit of trepidation. I like historical fiction but often find some times or places a bit more difficult to read. I don’t know why this is but its my thing, okay? I am glad that I read Winchelsea though because it is damn good.

This book was so slow-burner that for the first ⅓ of it I thought I might not finish it at all. But in the end I’m very happy I didn’t leave it. After recounting those first and, frankly, quite uninteresting years of Goody’s life a grand adventure of a book has started to emerge in front of me. And I have to say that it was very much to my liking and gave me a real pleasure to read it. The LGBTQ rep here was complex, thought provoking, well presented and felt authentic in terms of the restrictions of the time period/societal pressures. It is the story of Goody Brown and the corrupt world that she lives in. Throughout the story you are presented with trials and tribulations far beyond your ken that you really do feel like you have been invited into another world.Winchelsea” is as much a book about the characters in it, as about the land they were living on. I very much liked that the author has put so much effort into painting not just where this book was placed, but also its history. And have done so without ever abandoning Goody or any other characters that were telling her story. It was rather done THROUGH her and what she’s done. I greatly appreciated the unfolding of this book, the plot, the characters, the voices, the mysterious and unforgiving sea, the deeply complicated town & the secrets it guards.

For my own sensibilities, I cringed and was disquieted by the violence. However, I would not suggest that as reason to read or not to read for others. It is graphically murderous and filled with the baser actions of humankind to destroy lives for profit, power and whim. That, unfortunately is true today and since the earliest times on earth. There is a wrapping up at the end were Goody is allowed a final say in her story but by now we don't really know who she is any more or how she feels about anything that has happened to her. I didn’t find the writing particularly engaging, the author throws in long antiquated words every so often as if to show off their intelligence, but it isn’t in keeping with the characters portrayed and just seemed pompous. It goes off on tangents about the Jacobite’s and the king over the water, that felt like they belonged to another book he wants to write, not part of this one, in fact he hints at further stories at one point, sigh. The original focus of the book is lost, and rushed at the end. In fact throughout its all over the place, unfinished threads, stories that start then go nowhere. Characters changing their character without explanation, I could go on. Did not satisfy this reader in any way, in fact I think I’d do a better job myself! Another element of this eighteenth-century story which is twisted into weird shapes by its twenty-first century sensibilities is the trans narrative. There are a surprising amount of stories of gender crossing in eighteenth-century fiction and reality, from the female alter-egos of Molly House attendees to the stories of female husbands and people like Charlotte Charke living as a male but when Goody does this, it’s treated from a twenty-first century perspective. Goody lives for a while as a man called William and finds themself comfortable as a non-binary person at the end of the novel. All the other characters seem aware of the notions of sex and gender being separate and of gender performativity and the notion of a gender spectrum. When one character has met Goody as William, even when he finds out that William is not a born-man, keeps using male pronouns - a polite and social thing to do nowadays but not really within the scope of an eighteenth century understanding of sex and gender where they still believed a big jump could un-invert a women’s genitals and make them male. I’m not saying that eighteenth-century people would have been necessarily cruel or barbaric towards a male-presenting person but they simply would have not conceived it the way we do, and nor would the trans person themselves.What I found most jarring was the abrupt end of Part 1, followed by Parts 2 and 3 - the pacing up to the end of Part 1 and after was just off for me and felt like an afterthought. I truly felt like the ending of Part 1 could have been the end of the novel. Parts 2 and 3 felt a little rushed, condensed and like there could have been enough material for at least one more book if explored in greater detail. The Winchelsea of the 1740s that Preston details sits atop a network of subterranean passages used by smugglers to store booty from the continent. The murky and treacherous world of piracy, corruption and gang warfare is the focus of this exhilaratingly twisty novel that is something of a warren of connected and echoing recollections itself. The attempts to create an eighteenth-century atmosphere in the novel feel false and a little ‘theme-parky’. Characters, when drinking beer, only drink porter, presumably because that’s a more ‘old-fashioned’ sounding beer; they wear, doff and remove tricorns with great regularity (not the hat’s name at the time when people actually wore them), they ‘go marketing’ rather than to the market. Strange word choices are frequently used as a way of making the book seem olde-timey, a number of characters ‘festivate’ in this book, a word that seems to have been used be nobody at no-time. Most egregious is the name of the main character, Goody. The word is short for ‘Goodwife’ and was used in Puritan areas particularly as interchangeable with the word ‘Mrs’. Even the most famous Goody, Goody Two-shoes, was really called Margery.