Why Women Grow: Stories of Soil, Sisterhood and Survival

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It’s definitely poetically written but it is wayyyy too inwardly focused. If she could use her writing talent to get out of her own head and experiences, this would have been a great book. I’m saddened by the perfunctory glances at very interesting women, overshadowed by Alice, Alice, Alice. Bonus episode: Writer and novelist Jamaica Kincaid redefined garden writing with books such as My Garden (Book) and Among Flowers, as well as changing perspectives on the post-colonial experience through titles such as A Small Place and Lucy. We meet the Antiguan-American author in the halls of Charleston House, Sussex, where Bloomsbury Group artists Vanessa Bell and Duncan Grant made art, a home, and a life-long relationship. In a quiet moment away from Charleston’s Festival of the Garden, Jamaica tells us about how gardening sits alongside her writing practice, how she converses with her plants and what they teach her about mortality. Once again I felt unmoored amid a sea of change I had no control over. Loneliness came at me in surprising ways – as anger and frustration and listlessness. Unable to forge ahead with a big night out or arrange an indulgent dinner party, I sat down and made a list of names: women whom I admired or was intrigued by, all of whom I wanted to meet. A glorious, sweet-scented joy of a read, it's the literary equivalent of a stroll through a cornflower meadow on a warm summer's evening" When I wanted to know why women turned to the earth, I thought about some of the reasons. I thought about grief and retreat. I thought about motherhood and creativity. I also thought about the ground as a place of political change, of the inherent politics of what it is to be a woman, to be in a body that has been othered, dismissed and fetishised for millennia. I thought about the women who see the earth as an opportunity for progress and protest.

So she turns to women all around the country...women with different stories, all separated by time, space, upbringing and personal history, but all connected by two similarities: their awareness of their own womanhood and the love of their gardens and green spaces. A conversational odyssey from a Canary Wharf balcony to Charleston, the Bloomsbury set's hangout, and a windswept smallholding in Denmark. Why Women Grow is the splendid-looking account of these encounters. The narrative unfurls like a vagabond anthology of potted biographies, confessions jostling alongside social commentary [...] If you enjoy window-shopping other people's lives, you'll relish this staggeringly diverse array of individuals. Vincent's affection for her subject is infectious" We talk about everything, from motherhood, to gardening for a better planet and finding your place in the world. One simple concept, a million cookbooks sold: Rukmini Iyer’s Roasting Tin recipe books have transformed dinner times around the country. But the writer and food stylist is also a keen amateur gardener, growing first on a balcony and, later, in a garden on a quiet street in leafy South London. Iyer’s adventures in growing food to eat collided with the arrival of her first child, and gardening has given her a new perspective on what it is to feed and nourish. We catch up with the author of India Express at home to discuss her strategies for raising enough aubergines to feed a crowd, and why she’ll always prefer to grow from seed. Poppy Okotcha describes herself as an ecological home grower working to inspire reconnection to the land and the living world through the story of food and herbs. She came to gardening after a shift in her personal life: having moved between the UK and South Africa during her childhood, Poppy had a career as a model. When she was left burnt out by the fashion industry, she began to cultivate a slower kind of life, growing organically on top of a canal boat in London and learning about biodynamic and regenerative growing. We were invited into her magical, Tardis-like garden in South Devon, where Poppy tends to a space that has been grown on for centuries, sharing her gentle stewardship of the land with her considerable social media platform.In Rootbound, the author rekindles a long lost love for the outdoors and gardening, as she answers these questions as she goes along. Nurturing life from neglected spaces yields a good deal more than homegrown peas. Marchelle, a Cambridge scholar originally from Trinidad, was lured to buy her house in Somerset by the siren song of stream that changes according to where you stand in the garden. Tending it makes her feel “mothered” now she is so far from her family. In a similar vein, 21-year-old Mel countered solitude as an outsider in her village. “I do think loneliness goes with being indoors … In the garden, there’s always some noise … it would be hard to dwell on that feeling if you’re outside.” Why Women Grow shows the beauty and grit of tending the soil in difficult times. Alice Vincent shows us that the cure for uncertainty is to get mud under our nails.’ KATHERINE MAY, author of Wintering

Kayla, eking out the last months of her sentence in an open prison, cannot see her children due to Covid, but finds solace restoring glasshouses to grow tropical plants for city millennials. Vincent notes the pricey blow-dry of a woman whose overgrown plant Kayla capably splits in two before admonishing her to clean the pot. The message is clear: purpose restores pride and hope. Women have always gardened, but our stories have been buried with our work. Why Women Grow is Alice Vincent's much-needed exploration of why women turn to the earth, as gardeners, growers and custodians. Join us for a book talk and signing event celebrating Alice's new book Why Women Grow. There will be time for a 15 min Q&A at the end of the evening. A beautiful meditation on the overlooked history of female gardeners, tracing how women have drawn strength and power from the natural world" Reading this book felt like finding a good amount of beautiful insights and reflections that got you excited, only to leave you feel extremely unsatisfied and wishing there was more (not in a good way), because it was all just left at aphorism booklet level, among a whole lot of other rather boring and unnecessary information. I wish there was less telling us about how she found these people and describing all the steps they took around their gardens and listing all the flowers they planted, and more diving deep into the concepts that were revealed. The description got redundant and after the first quarter of the book it just felt like empty rambling about things she already had said before, and honestly did not add anything valuable to the book at all.

Maya Thomas

Alice Vincent is a writer. Her books include Rootbound, Rewilding a Life and the forthcoming Why Women Grow. A columnist for Gardens Illustrated, Alice writes for The New Statesman, Vogue, The Guardian, The Telegraph and other titles, and is the features editor of Penguin.co.uk. Over the course of 14 months I spoke with 45 women, ranging in age from 22 to 82, from the depths of Somerset to the remote, salty horizons of Danish islands. Some were single, some were married, some were widowed, some were imprisoned, some were immigrants, some were artists, some never spoke about their day job, some were mothers, some wanted to be. I met with them with the intention of research: I wanted to glean and tell the stories of the soil that were conspicuously absent from gardening narrative, many of which would inform a book, Why Women Grow. What I ended up with was not only that connection I’d been missing, but a host of new friends I didn’t know I needed. This book was more about the writer telling her experience interviewing these women, rather than truly diving deep and finding a deeper understanding of the concepts that she set out the intention to write about. This book barely scratched the surface of some really beautiful and meaningful concepts that it brought up, which was such a waste of potential and such a pity. These days, Alice Vincent has breached her thirties and everything has changed since she wrote Rootbound. Married, moved to a house, a home and as importantly, a garden. But with these changes, new questions arise...questions around womanhood, motherhood and how not to lose oneself in all what society seems to ask and expect. Vincent sympathetically draws out the women who speak about loss, abusive relationships and racial prejudice [...] she brings women and their problems to life"