The Temple Of Fame: A Vision

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The Duke of Wellington brought to the post of first minister immortal fame; a quality of success which would almost seem to include all others.

Aden, Something Like Horace: Studies in the Art and Allusion of Pope's Horatian Satires (Nashville: Vanderbilt University Press, 1969). The degree aims to provide students with the knowledge and skills to embark on a career in historic preservation.

The first book begins when, on the night of the tenth of December, Chaucer has a dream in which he is inside a temple made of glass, filled with beautiful art and shows of wealth. After seeing an image of Venus, Vulcan, and Cupid, he deduces that it is a temple to Venus. Chaucer explores the temple until he finds a brass tablet recounting the Aeneid. Leopold Damrosch, The Imaginative World of Alexander Pope (Berkeley: University of California Press, 1987).

The Works of Alexander Pope, edited by Whitwell Elwin and W. J. Courthope, 10 volumes (London: Murray, 1871-1889). The poem contains the earliest known uses in the English language of the terms galaxy and Milky Way:M Newman, Archive Report (National Trust 1996) [An extensive and detailed study of the estate and its owners] Many authors from 16th- and 17th-century Spain refer to Herostratus to represent someone who will do anything to gain notoriety. He is discussed in Chapter 8 of the second part of Miguel de Cervantes' Don Quixote (1615), [15] along with Julius Caesar and Hernán Cortés. Don García, the protagonist of Ruiz de Alarcón's La verdad sospechosa ( Suspect Truth), compares his feats to the ancient character. [16] In the chapter titled "Dreams" in Herman Melville's Mardi, and a Voyage Thither (1849), the protagonist states, "[W]hoso stones me, shall be as Erostratus, who put torch to the temple..." [17] Price, J. R., & House, H. W., Zondervan Handbook of Biblical Archaeology ( Grand Rapids: Zondervan, 2017), pp. 417–418.