Style & Society: Dressing the Georgians

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Visitors will learn how the Georgians ushered in many of the cultural trends we know today, including the first stylists and influencers, the birth of a specialised fashion press and the development of shopping as a leisure activity. From the popularity of fancy-dress and the evolution of childrenswear, to the introduction of military uniforms and the role of clothing in showing support for revolutions at home and abroad, Style & Society will explore what clothing can tell us about all areas of life in the rapidly changing world of 18th-century Britain.

On display for the first time will be Queen Charlotte’s book of psalms, covered in the only silk fabric known to survive from one of her dresses. The expensive fabric, decorated with metal threads to glimmer in candlelight, was most likely repurposed after the dress had passed out of fashion. As textiles were highly prized, Georgian clothing was constantly recycled, even by the royal family, and there was a thriving market for second-hand clothes.

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From the practical everyday dress of laundry maids to the spectacular glittering costumes worn on formal court occasions, the clothing of the Georgian era reveals much about this revolutionary period of British history. Style & Society: Dressing the Georgians explores the ways in which fashion trends reflected the era’s cultural and political upheavals and how trade, travel, technological advances and influences from abroad all fed into the flourishing of diverse contemporary styles. At the heart of the exhibition will be a rarely displayed, full-length portrait of Queen Charlotte by Thomas Gainsborough, c.1781, which usually hangs in the White Drawing Room at Windsor Castle. Painted by candlelight, it depicts the Queen in a magnificent gown, worn over a wide hoop and covered with gold spangles and tassels. The painting will be shown alongside a beautifully preserved gown of a similar style, worn at Queen Charlotte’s court in the 1760s, on loan from the Fashion Museum Bath. Anna Reynolds, curator of Style & Society: Dressing the Georgians, said, “During this period, we start to see court dress lagging behind street style, with people from across a much broader social spectrum than ever before setting fashion trends. The Royal Collection is so rich in visual representations from this period and the exhibition is a wonderful opportunity to share them with the public. Showing paintings alongside surviving items of dress really adds an extra layer of insight, helping us to understand how clothing was constructed, what it felt like to wear, and how artists approached the challenge of representing Georgian fashion in paint.” As well as the parks and pleasure gardens, people dressed to be seen in the new coffee houses and at the theatre. “This is where you get new fashions spreading.”

At the heart of the exhibition will be a rarely displayed, full-length portrait of Queen Charlotte by Thomas Gainsborough, c.1781 , which usually hangs in the White Drawing Room at Windsor Castle. Painted by candlelight, it depicts the Queen in a magnificent gown, worn over a wide hoop and covered with gold spangles and tassels. The painting will be shown alongside a beautifully preserved gown of a similar style, worn at Queen Charlotte’s court in the 1760s, on loan from the Fashion Museum Bath. The painting is really the poster image for the exhibition. You’ve got people from all walks of life. There’s the Prince of Wales and his friends, and women selling cups of milk from a cow, a woman from the lower classes nursing her infant, a fireman – a real mixing of society,” said Reynolds. The exhibition will reveal how the Georgians ushered in many of the cultural trends we know today, including the first stylists and influencers, the birth of a specialised fashion press and the development of shopping as a leisure activity. From the popularity of fancy-dress and the evolution of childrenswear, to the introduction of military uniforms and the role of clothing in showing support for revolutions at home and abroad, Style & Society will explore what clothing can tell us about all areas of life in the rapidly changing world of 18th-century Britain.The exaggerated fashions of the period were a gift for caricaturists, coinciding with what has become known as the golden age of the satirical print. In the never-before-displayed New Invented Elastic Breeches, 1784, Thomas Rowlandson depicts a large man being manhandled into an optimistically small pair of leather breeches by two tailors. Advancements in haircare, cosmetics, eyewear and dentistry will also be explored. Immensely tall and wide hairstyles became fashionable for women in the latter half of the century, resulting in the development of an entirely new trade: the hairdresser. Quirky items on display will include a set of miniature bellows and a sprinkler used for applying hair powder, loaned by The School of Historical Dress. The exaggerated fashions of the period were a gift for caricaturists, coinciding with what has become known as the golden age of the satirical print. In the never-before-displayed New Invented Elastic Breeches (1784), Thomas Rowlandson depicts a large man being manhandled into an optimistically small pair of leather breeches by two tailors.