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The Dark Side Of The Moon

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The Not So Bright Side of the Moon". thesquirrels.com. Archived from the original on 3 July 2008 . Retrieved 27 March 2009. A quadraphonic mix, [nb 10] created by Alan Parsons, [123] was commissioned by EMI but never endorsed by Pink Floyd, as Parsons was disappointed with his mix. [33] [123] For the album's 30th anniversary, an updated surround version was released in 2003. The band elected not to use Parsons' quadraphonic mix, and instead had the engineer James Guthrie create a new 5.1channel surround sound mix on the SACD format. [33] [124] Guthrie had worked with Pink Floyd since their eleventh album, The Wall, and had previously worked on surround versions of The Wall for DVD-Video and Waters' In the Flesh for SACD. In 2003, Parsons expressed disappointment with Guthrie's SACD mix, suggesting he was "possibly a little too true to the original mix", but was generally complimentary. [33] The 30th-anniversary edition won four Surround Music Awards in 2003, [125] and sold more than 800,000copies. [126] American video certifications – Pink Floyd – Dark Side of the Moon". Recording Industry Association of America . Retrieved 16 March 2020. Similar to the 1973 planetarium showcase, the album played in planetariums, globally, throughout March 2023. [8] [6]

a b Waddell, Ray (5 May 2006). "Roger Waters Revisits The 'Dark Side' ". Billboard . Retrieved 2 August 2009. I described the 2016 Grundman cut as a very balanced and only slightly harsh but well sounding alternative. Which is what we come to realize again here. The UK does seem slightly less edgy in comparison and from experience with comparing other Pink Floyd originals vs reissue this is a common trend, the EQ is a smidge lower, removing some of that harshness. Cymbals and high hats sound more smooth and earthy while the reissues is more metallic for example. ChartsPlusYE2005" (PDF). Chartsplus. Official Charts Company. Archived (PDF) from the original on 9 October 2022 . Retrieved 8 April 2021. Ultratop.be – Pink Floyd – The Dark Side of the Moon– Experience Edition" (in French). Hung Medien. Retrieved 9 June 2016. In 1993, Gilmour attributed the album's success to the combination of music, lyrics and cover art: "All the music before had not had any great lyrical point to it. And this one was clear and concise." [118] Mason said that, when they finished the album, Pink Floyd felt confident it was their best work to date, but were surprised by its commercial success. He said it was "not only about being a good album but also about being in the right place at the right time". [88] Reissues and remasters [ edit ] 1978 transparent vinyl edition, playing on a Technics turntable

Several of the responses – "I am not frightened of dying. Any time will do, I don't mind. Why should I be frightened of dying? There's no reason for it ... you've got to go sometime"; "I know I've been mad, I've always been mad, like most of us have"; and the closing "There is no dark side in the moon really. Matter of fact, it's all dark" – came from the studios' Irish doorman, Gerry O'Driscoll. [63] [64] "The bit you don't hear," said Parsons, "is that, after that, he said, 'The only thing that makes it look alight is the sun.' The band were too overjoyed with his first line, and it would have been an anticlimax to continue." [65]

Episode 2 - 50 Years In A Heartbeat: The Story Of The Dark Side Of The Moon (Touring)". YouTube. 20 March 2023 . Retrieved 23 March 2023. Top Selling Albums of 1976 — The Official New Zealand Music Chart". Recorded Music New Zealand . Retrieved 26 January 2022. In the end the UK original takes the spot over the 2016 reissue for now. Ill try to give the other releases a head to head again sometime but right now I dont want to spoil the album too much. The Greatest: 50 Greatest Album Covers". vh1.com. Archived from the original on 12 November 2007 . Retrieved 17 March 2009.

From the Music Capitols of the World – Athens" (PDF). Billboard. 18 November 1978. p.73. Archived (PDF) from the original on 9 October 2022 . Retrieved 28 October 2020– via World Radio History.

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