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DJI Mavic 3 Cine Premium Combo - Camera Drone with 4/3 CMOS Hasselblad Camera, 5.1K Video, Omnidirectional Obstacle Sensing, 46-Min Flight, Apple ProRes 422 HQ, Max 15km Video Transmission

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Video capabilities of 5.1K at 50fps and 4K at 120fp. This enables smoother footage, more generous cropping possibilities and 120fps slow-motion. Clearly, a lot of consideration and effort went into making this drone sleeker and more aerodynamic. It holds its ground rather well in windy conditions, maneuvers gracefully and flies effortlessly. Everything you touch just screams high quality, from the drone itself to the carrying case, the new gimbal harness and the remote.

equiv.) lens with 84º FOV and a variable F2.8-11 aperture on main camera with up to 4X digital zoom Included with the fly more combo is a set of 8 ND filters ranging from ND4 all the way up to ND512. These help you capture smooth video and hyperlapse footage on bright sunny days. Without the ND filters, the shutter speed must be turned up too high, which causes choppiness in your footage. With the manual controls and a high ND filter available, we would have loved to try some awesome long exposure drone photography. However, the Mavic 3 Cine’s minimal shutter speed is 2 seconds. If that speed were a bit longer, it would allow for some really creative works of art. Flying the Mavic 3 Cine Mavic videographers no longer have to choose between the pro model and the zoom model. That’s because, in addition to the main 20 MP wide-angle Hasselblad camera, there’s also a 12 MP telephoto camera with a 1/2-inch CMOS sensor. The telephoto camera is a nifty tool to capture far-away subjects or keep your drone a safe distance from hazardous objects; however, you lose the ability to adjust camera settings manually when using the telephoto camera. The telephoto camera also only shoots in JPEG, so no RAW. Then there’s the fact that the quality of the image also gets soft and fuzzy since the zoom is all digital. Plus, even with the Cine model, ProRes is unavailable with the zoom lens. But what we really don’t understand is why you can’t shoot in D-log when using the telephoto lens. DJI Mavic 3’s customized L2D-20c aerial camera embeds a professional-grade 4/3 CMOS sensor with a 24mm prime lens in a sleek and compact form. Rigorous Hasselblad standards for hardware performance and software algorithms allow it to shoot 20MP still images in 12-bit RAW format and videos in 5.1K at 50fps, 4K at 120fps.The higher video definition creates smoother footage and more generous cropping possibilities and allows for slow-motion video at 120fps.There is no optical zoom lens either; operation of the zoom is through software and the system switches from one camera to the other at the appropriate moment, like a multi-lens mobile phone, though somewhat less fluidly. In Explorer Mode you typically tap through zoom multiples; 1x, 2x, 4x, 7x (the optical ratio of the zoom in comparison to the main one), 14x, 28x. Predictably the 28x option, dependant as it is on a lot of digital help, is not exactly sharp. Perhaps some softness would come from gimbal vibration at this zoom level, digital 28x isn’t going to provide the clarity a paparazzo might be hoping for.

The Mavic 2 Pro's camera didn't use the full sensor when shooting 4K video clips. Perhaps this was to prevent overheating, given its small housing, but what resulted was line skipping and pixel binning that compromised the overall quality of the footage. Furthermore, if you wanted to hone in on subjects, you needed a whole different drone like the Mavic 2 Zoom.In addition, the Mavic 3 Pro Series also supports the Hasselblad Natural Colour Solution (HNCS), D-Log, D-Log M, HLG, and other color modes, which retain more image details and facilitate more efficient color grading in post-production. Mavic 3 garantisce voli senza collisioni, tutto ciò che devi fare è concentrarti sulle riprese. Più sensori di visione grandangolari funzionano perfettamente con un motore di elaborazione della visione ad alte prestazioni, per rilevare gli ostacoli in tutte le direzioni con precisione e pianificare una rotta di volo sicura che li eviti. RTH avanzato Panorama Mode [4] in Mavic 3 allows pictures to be directly stitched and processed by the drone, without the DJI Fly App or any post-production, allowing users to capture breathtaking landscapes with sweeping breadth and rich detail. DJI Mavic 3 Cine supports Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT and H.264/H.265 encoding, while Mavic 3 only supports H.264/H.265 encoding. The basic Mavic 3 gives you 8GB of internal storage and can capture up to 1 billion colors when recording in a 10-bit D-Log color profile. The Cine version features a 1TB SSD since it also offers up the larger files using Apple's ProRes 422 HQ codec. Both versions of the drone can use the full width of their 5.1K sensors. The housing on this dual camera system is lightweight and more suited for its overall size. As mentioned in the introduction, the Mavic 2 Pro had issues with pixel binning and line skipping, and there is no indication of this problem with the Mavic 3 drones.

The camera on the Mavic 3 performs extraordinarily well at night. There isn't any grain in this unedited image. DJI has always led the drone industry in developing innovative safety features, and Mavic 3 continues this tradition with improved obstacle sensing and navigation systems to give drone pilots the guidance they need to stay safe. APAS 5.0 combines inputs from six fish-eye vision sensors and two wide-angle sensors, which seamlessly and continuously sense obstacles in all directions and plan safe flight routes to avoid them – even in complicated environments. [3] If you need more focal length options, better creative effects, and work that has more expressive composition and storytelling details, the Mavic 3 Pro Series is here to meet your shooting needs. The RC Pro Controller comes as part of the Mavic 3 Cine Premium Combo, and is also available as a separate accessory.Unobstructed, free of interference, and when FCC-compliant. Maximum flight range specification is a proxy for radio link strength and resilience. Always follow local rules and regulations and fly your drone within your visual line of sight unless otherwise permitted. All of DJI's design updates and efforts to make the aircraft slimmer and more aerodynamic really paid off. The drone holds up well in the wind, hovers nicely, flies smoothly, and maneuvers flawlessly. It's quieter than the Mavic 2 series, with less of a buzzing sound, though you can still hear it in close proximity. If you're hoping to operate your drone incognito, this is still not really possible. Measured in an outdoor, open environment, without interference, and with FCC compliance. The above data shows the farthest communication range for one-way, non-return flights. Please pay attention to RTH reminders in the DJI Fly app during your flight.

DJI set a benchmark for drone endurance in 2016 with the Phantom 4 and the original Mavic Pro, which each featured maximum flight times approaching 30 minutes. In the succeeding years, new drone models have slowly increased those times thanks to incremental improvements in flight technology. With Mavic 3, DJI has reshaped every element of the drone’s flight envelope and power management to enable drastically longer flight times – up to 46 minutes in ideal conditions – giving unprecedented freedom for aerial photographers to shoot dynamic scenes. Its battery system offers an extended operating time of up to three hours and can be charged in 90 minutes. Optical Comparison: 1x v 7x stills from Richmond Park flying field, which is around 14km from The Shard on the right (Image credit: Adam Juniper/Digital Camera World) Tested with a production model DJI Mavic 3 in a closed environment in favorable conditions and an unobstructed wireless signal. Actual results may vary depending on environment, usage, and firmware version.

Mavic 3 Design And Performance

Per garantire che Mavic 3 catturi i colori naturali allo stesso modo delle altre fotocamere Hasselblad, l’obiettivo L2D-20c adotta gli stessi standard rigorosi e ha calibrato ogni pixel del sensore, grazie all’HNCS incorporato. Compared with the 166mm tele camera, using the medium tele camera may be better in some scenarios. It enables new aerial photography perspectives and can help to achieve different camera movements. You don't need to replace the camera on the drone during shooting. Just tap the screen to switch between different focal lengths, making transitions smoother and more natural.

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