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The Weight Of Water

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In The Weight of Water, Anita Shreve tells a story of pain, jealousy, and passion. Her characters and their closest relationships--with siblings, with partners--are trapped in isolated and claustrophobic spaces. Shreve tells the story of the murders of two Norwegian immigrant women on Smuttynose Island off the coast of New Hampshire in the late 19th century. She explores the 19th Century events in the context of a contemporary photographer's trip to the island to capture the location for a magazine story about the killings. The photographer travels to the island in a small sailboat with her husband, daughter, brother-in-law and his girlfriend. In the course of her research for the photo-shoot, she happens upon a previously unknown document, a letter from the one woman in the family who survived the killings. Shreve alternates sections of this letter, which describes what led up to the murders and what happened on the night they occurred, with the main structure of the book which moves fluidly between the interactions among the family of the photographer and the details of the history of the murder as it was revealed in the trial. In this way, Shreve allows the painful unfolding of events in the two different eras to play out alongside one another. People who have ever felt at a loss with themselves. People who like to adopt happiness as their revenge. People who thought their first kiss way awkward *cringe*. People who always leave the best stories at a sleepover for when the lights are out. Ugh. This book intertwines two stories. One is the murder of two women and happens in a previous century. The other is about a photographer sent to where the women were killed to take pictures for a magazine assignment. The older story works well and I even liked the weird way the author intertwines the two stories where one flows into the next with only a paragraph break. The problem is that the more contemporary story falls completely apart at the end. There's a build up full of the photographer's regrets and if only's but I don't see how anything she did caused what happened in the end. If we had gone to school together I bet we’d be the best of friends and we’d stay up all night, swapping stories and drinking pop and being giddy.

This novel is really two stories in one. First there is the story of Norwegian immigrants coming to America, and secondly we have the contemporary story of a photographer going to the island where the immigrants lived to photograph and research a 100 year old murder. There are two stories intertwined here. There is a modern day story told in the first person by a photographer visiting the Isles of Shoals off the coast of New Hampshire. She is photographing the islands where a double murder took place in 1873 and is staying on a boat with her husband, her young daughter, her brother-in-law and his girlfriend and we see the often tetchy interaction between them in the close quarters. The second story is told in the first person by the only survivor of the nineteenth century double murder. This is in the form of a lost manuscript that the photographer finds during her research. In creating The Weight of Water, Shreve carefully wove the historical story with the fictional one, though, she maintains "the heart of the book has almost nothing to do with the facts." Rather, she used the historical record as a springboard for a larger story that explores the consequences of pushing a woman to the edge. Shreve says she was not the first to question the outcome of the murder trial, but she found it "a very hard book to write" because ultimately she intended for the reader to have sympathy for the women of Smuttynose. Not reading this book would have been a huge mistake, one I’m glad I didn’t make. Sarah Crossan has created an utterly engrossing story about a Polish girl whose mother has uprooted her and brought her to England in pursuit of her father, who has left their family. Kasienka is devoted to her mother but confused by her father's desertion and her new situation in England. She is upset about being placed in a Year 7 class, despite being nearly thirteen years old, just because of her English skills. And moving schools makes it hard enough to find friends and wage the wars of popularity; moving to a new country and learning a new language makes it even harder.Until you realised how it’s OK to be different and how there’ll always be moments where you feel a bit odd or alone but that there is always people who are just as different as you. How long have I been hankering to use a song from Ceremonials? Do you remember my demand polite suggestion that all authors must should listen to it on repeat and then write a book based on it solely to keep me happy? Kasienka. William. The writing. Friendship. Saying goodbye. Reunions. Butterfly stroke. Kisses like Haribo. Love is a large W. Mama. Resilience. Culture. Blueberry ice cream. Girly sleepovers. Tummy tumbles. Or… well, wait until she’d changed out of her cozzie because I don’t want to get all chloriney but then we’d cuddle. Definitely. As Jean, the journalist’s, research into the ill-fated family are appearing in her own family, trapped as they are on the small boat in close quarters with one another. Her husband the poet, whose glory days are gone, he can no longer write. The younger brother, captain of the small craft, in love with a woman who doesn’t love him. And Adaline, somewhat of a beautiful enigma, set between the two brothers. The approaching storm is a catalyst for a modern-day tragedy.

You were so sad and you were so lonely and you were so insecure and you were OK with letting people The plot is a dual timeline that parallels one another. The first timeline is modern day with a photographer and her famous yet emotionally damaged poet husband and young child going on a boat trip with her brother-in-law and his newish girlfriend. She is using the opportunity to work on a photo assignment of a historical double murder that took place centuries ago. During the trip, she notices the closeness developing between her husband and the girlfriend. The second timeline is the events leading up to the double murder. This book was very hard to put down and I was absorbed into the story from the get go. I love it when my heroines stand up for themselves and don’t need any body to tell them how to do it. Woven into the plot is Maren’s first-hand story. She describes the passage to the Isles of Shoals, the isolated lifestyle on Smuttynose Island, and finally the gruesome murders. Jean becomes immersed in the details of the 19th-century murders after discovering a purported memoir of Maren in the library. Gradually, tensions increase among the group on the sloop, with unspoken emotions surfacing. Jean begins to suspect an affair between Thomas and Adaline.I wonder this: If you take a woman and push her to the edge, how will she behave?" The question is posed by Jean, a photographer, who in 1995 arrives on Smuttynose Island, off the coast of Maine, to research a century-old crime. As she immerses herself in the details of the case-a fit of passion that resulted in the deaths of two women-Jean herself becomes caught in the grip of an intense emotion. The 19c woman's diary makes for tedious reading--interesting at first, but the tragic ending (and not to give anything away, there are tragic endings for both narratives) is telegraphed quite early..... I always find it difficult to come up with a number for books such as this one because obviously the issues and situations that are dealt with in this book are extremely harrowing and, sadly, common in present day Britain. The book flashes between the present, a letter written in the 1800s and descriptions of events from the 1800s. The problem is that it goes something like this:

Women. Boating. Island descriptions. Blah blah we're in the present now blah blah so I hope you were paying attention. The book was adapted for a film of the same name, directed by Kathryn Bigelow and released in 2000. It is with this diary that the second voice is heard. The diary is written long after the events on Smuttynose, after Maren has returned to Norway and is in the final days of her life. The diary recounts the history of Maren; her marriage and relocation to Smuttynose; the struggles of her new life and her recounting of the events the night of the murders. The diary gives you a real feel for Maren as an individual and especially what life must have been like for a lonely, foreign fisherman's wife on such a desolate island. I'm a huge fan of Shreve and had this book on my list for ages. It did not disappoint!! Her subtle yet loaded way with words captures the essence of a moment. The emotion just oozes from her prose. Her stories capture the full essence of tragedy and heartbreak. The Weight of Water contained all of these elements. I was utterly destroyed by the end. Although I have read only two of Crossan's books. It's safe to say I love her. I read One last year and it actually made me cry and love it so bad, it jumped onto my top #5 spots. Although it has been replaced, but nevermind that. Sarah Crossan knows how to make you feel. She knows how to squeeze your heart and make you use up a whole box of tissues.Debate about the identity of the Smuttynose murderer continues to this day, rekindled by the publication of The Weight of Water. "The facts are out there for speculation," Shreve says, "The book is something separate from that debate." Life is lonely for Kasienka. She misses her old home in Poland, her mother's heart is breaking, and at her new English school friends are scarce. But when someone new swims into her life, Kasienka learns that there is more than one way to stay afloat. But I wouldn’t say that this is a particularly sad book. Yes there are a lot of moving poems, especially when Kasienka first moves to England and constantly feels “unwanted and misused”, but I also saw this book as more about finding out who you are and becoming comfortable with it. I need to finally brush off my prejudice against books that are written in verse. Every single time I raise a sceptical eyebrow in their direction - completely unable to believe that this is anything more than just lazy storytelling - and every single time I find myself impressed. The Weight of Water was no exception. This is a delightful, if somewhat heartbreaking, little story that took me just over an hour to read. And if Kasienka’s ability to conquer her fears wasn’t good enough for you, Ms Crossan gives us an incredibly adorable love interest too!

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