Chrysalis

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AM: Perhaps what I wanted to think about is that at first, it does seem like a really empowering thing that she’s doing, that she’s been able to separate herself out from the things that have been really damaging to her and that she’s been able to rebuild herself. She is becoming this huge, extremely strong, healthy person, all seems really liberating. She gets so fixated on it that it comes at the cost of everything around her and then it starts to feel unhealthy. But it’s hard to say exactly where that tipping point is. A spellbinding gem of a novel, this provocative debut follows a young woman whose bizarre metamorphosis poses vital questions about our modern, online existence. I really, really did love [it]... I think it's a really interesting discussion and reflection on a topic that is very prevalent in the world -- Jen Campbell AM: In terms of wanting, I spend much more time than I would like to admit looking at clothes on the internet. What is actually enjoyable about that is the choosing. There is something creative and interesting about choosing and thinking oh, I could be this kind of person in this kind of dress or that kind of person in that kind of dress. Actually, if I buy the thing and it arrives, the pleasure is over. The fun bit is in the choosing, not in the having. Over the course of the novel it becomes clear that the woman is preparing for the ‘the next phase’ of her life where she will leave those she knew behind Character in flux

This was a very strong debut novel. The success of the novel hinges on the reader engaging with the mysterious aspects of the central character; there’s no plot as such, and we’re told up front about the influencer she becomes, and so the only thing really driving the narrative is the details we’re given gradually about her past and the way she acts. This might sound like a hard sell, but Metcalfe really pulls it off - the characters are believable, their interactions are engaging and you really do find yourself caring about the little moments of intrigue. The central character’s behaviour is compellingly odd, and the sinister undercurrent running through the novel from the start is really effective - leaving you with the sense that, though you can’t entirely identify just what has happened, something dark is going on. Although Anna Metcalfe cites Han Kang’s The Vegetarian, a 2007 novel similar in structure and theme, as a source of inspiration, this doesn't detract one iota from Ms. Metcalfe's creativity. Chrysalis makes for a compelling and highly distinctive read. Deliciously timely.... Metcalfe is a properly clever writer - she moves deftly between the voices of her narrators with ease, while her prose is assured, unforced, and almost graceful * AnOther Magazine *Managing the intimacy of the mother-daughter relationship and coming to terms with how it went wrong makes for compelling material * The Times * AM: We get glimpses of her throughout the story that suggest at other points in her life she has taken on traditional gendered burdens of emotional responsibility. She has cared for other people in the book, dealt with their feelings when they couldn’t deal with their feelings themselves. At the point where we meet her, she has just quit all of that. Her behavior in the gym, those first moments that we meet her, are to tell us that she’s rejecting all these social conventions and she’s not that interested in participating in anything that might not serve her any more, regardless of what is expected of her. Because she is female, that reads slightly differently. It comes across as slightly more abrasive.

Over the course of the novel it becomes clear that the woman is preparing for “the next phase” of her life where she will leave those who knew her behind, in favour of something else. The abandoned narrators watch the content that she creates and posts online: she is a wellness influencer of a sort and her strange videos are devoted to strength and stillness. “Variously all three narrators describe her as being made out of stone or carved from something, so it’s as if she becomes made of some natural material rather than a person. Something that’s more durable or more permanent than a person.” JA: There are so many systems that hold us all. It reminds me of when you were talking about buying a new dress; like do we really have to transform our whole selves? It feels like you’re chasing this other version of yourself that never really actually exists, but for a brief period of time you can pretend like if you do this one thing, you will. There’s a measure of fleeting joy to be found in that. Elliot, a recluse who notices her at the gym, witnesses her physical evolution and becomes her first acolyte. Bella, her mother, worries about the intense effect her daughter’s new way of life is beginning to have on others, and she reflects on their relationship, a close cocoon from which her daughter has broken free. Susie, her ex-colleague and best friend, offers her sanctuary and support as she makes the transition to self-created online phenomenon, posting viral meditation videos that encourage her followers to join her in achieving self-sufficiency by isolating themselves from everyone else in their lives.We are more surprised when we see a woman refusing to conform to somebody else’s expectations of how they ought to behave. This is such an intriguing, thought-provoking read that made me think a lot about ideas surrounding independence, selfhood, and perception. It's fascinating to view this character only through the lens of others; each of the three sees something different in -- and get something different out of-- their relationships with her. For her part, the woman comes across as unfeeling and aloof, and there is something almost distasteful about her. Of course, we never learn who she really is -- just how she is perceived by others -- and I thought that was such an interesting (and successful) narrative choice by Anna Metcalfe. Chrysalis is a savvy exploration of one woman’s desire to inspire others, and how self-presentation can tip into obsession. Although Metcalfe’s three perspectives offer a nuanced portrait of an online sensation, they are similar in tone. Her health guru rises from the ashes of an abusive relationship, but also discards those who’ve outgrown their use. Metcalfe is insightful about the world of contemporary influencers, voyeurism and the rise of narcissism, but it’s hard to warm to her aloof heroine.