Biomechanics

Product Information

It includes a signed and numbered print of one of Giger’s drawings, which can be removed and framed. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice.

So, after all that, I looks it up after looking and reading it a bit; it's huge, got it's own case and everything. Giger’s work, Satan I , appeared as the cover of the famous album To Mega Therion by the Swiss metal band Celtic Frost. He has worked with recording artists including Blondie, Emerson, Lake, and Palmer, Korn, and has created signature models for Ibanez Guitars. The two titles received mixed reviews at the time, though they are notable in their use of high-resolution visuals (which the artist insisted on) and the bizarre appearance of the lead designer in the lead protagonist role.The character is closer to a robot than a living creature, though the slime it exudes appears unbearably biological – and is used to immobilise victims, much like a spiders’ web. The depictions of danse macabre in the late-medieval period, the gothic novel, the literary works of the modernists, even occult rock from the 60s and 70s – even these few examples clearly show that death, decay, violence, and the macabre have always been both repulsive and alluring. Giger’s fascination with all things surreal and macabre began at a young age and this led to an interest in expressing himself through visual arts.

Satanistic inspirations, deformed bodies, the free union of eroticism and decay – if the pop-culture mainstream did not numb us to it, its sub-genres definitely have: from the metal subculture, through cyberpunk, ending at body horror. The head, although still elongated, no longer resembled a penis – after all, the unfriendly alien was meant to be a character in a widely available movie. The birth of such an idea allowed the development of natural sciences and weakened the role of religion – the body was no longer a mystery, a temple, or something created in God’s image; rather, it had became a complex system governed by the laws of hydraulics, mechanics, and causality. The goal of art – or at least not all kinds of art – is not to find easy and pleasant topics to give us comfort. R. Giger’s art point towards an interesting idea: everyone brought up in the Christian culture is used to depictions of a dying man, and one of the most important symbols of the western civilisation, the cross, is, in fact, a torture device.R. Giger mentioned that the source of his interest in the macabre was Jesus’ bleeding head he had observed in catholic kindergarten. The 12th century parish church in Paisley, Scotland, had undergone renovations in the 1990s, in which destroyed gargoyles were replaced by new sculptures.

Arriving on PC and Amiga in 1992, the original title is set in a mansion somehow connected to a parallel universe rendered in typical Giger-esque style: hive-like environments, psychosexual horror and visual references to the Kleinian Archaic Mother concept.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. The artist HR Giger, who has died after a fall in his Zurich home, only worked directly on two computer games – the horror adventure Dark Seed and its sequel – but his influence over the medium cannot be overstated. Although there is an emphasis on his later work for most of the book, there are some wonderful pieces from his earlier years that are primarily created with ink and traditional techniques, as opposed to his later airbrush work. When the embryo becomes a larva, it bites its way out through the host’s chest – causing, of course, a painful death. Lovecraft was recommended to Giger by his friend, Sergius Golowin – a librarian, occultism aficionado, and Timothy Leary’s companion during his Swiss “exile”.

This particular image was the basis of the Xenomorph design – a monstrous extraterrestrial humanoid known from the Alien movie series. Its face, on the other hand, became much more monstrous due to the accentuated teeth and a lack of visible eyes. Zustand: in gebrauchtem, gutem Zustand, aus Privatbesitz, geringe Lese- Lagerspuren, Altersgemaesse kleinere Maengel sind nicht immer extra aufgefuehrt.Giger’s most distinctive stylistic innovation is the representation of human bodies and machines in a cold, interconnected relationship, described as “biomechanical”. Giger unsettles us so because he makes us realise that our humanity is fully dependant on possessing a faulty, frail, and in some aspects quite disgusting body. The following year his first posters were published and he had his first exhibitions outside of Zurich.