Ayahuasca Visions of Pablo Amaringo

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The dimension was presented to me with a depth of being and complexity of a truly other world that felt “most real”. In this sense I wondered: does every social group in-itself operate under the de-centered circular production of myths and rituals for “actualizing the eternal-immortal” within the domain “finitude” and “mortality”?

We were conditioned since the day we set foot on this planet that this way of living is the only way to live. A master communicator of the ayahuasca experience--where snakes, jaguars, subterranean beings, celestial palaces, aliens, and spacecraft all converge--Amaringo’s art presents a doorway to the transcendent worlds of ayahuasca intended for contemplation, meditation, and inspiration. If the metric to having a good life is based on material wealth grounded on this earth, then that is not a very good way to live. Without any knowledge of what it would turn out to be, I simply said, “Show me what life should be like and go easy on me.Should I need data to back up the actual experience, I knew it was there to keep me from getting paranoid about the nature of the experience. After the second cup the musical instrumentation and the singing around me started gaining a qualitative dimension of “perfection”. The water at the lower right represents the eternal source of life from whence the DNA spiral helixes grow upward. Towards the end of the ritual I had to lay down on my own because I had the intuition that I needed to explore once again my own visions independent of the group.

This is one of a small handful of neuroimaging studies looking at the neural basis of the ayahuasca experience.

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