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Last Days of Judas Iscariot: A Play

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Cane, Anthony (2005). The place of Judas Iscariot in Christology. Farnham, England: Ashgate Publishing. ISBN 978-0754652847. Archived from the original on 13 March 2017 . Retrieved 8 February 2011. a b "Ancient Manuscript Suggests Jesus Asked Judas to Betray Him". Fox News. New York City: News Corp. Associated Press. 6 April 2006. Archived from the original on 21 May 2013. Cunningham’s argument is that forgiveness is solely in God’s hands; it is up to Him to dole out forgiveness, mercy, and justice. If God’s justice is perfect, t This gospel is considered by the majority of Christians to be late and pseudepigraphical; however, some academics suggest that it may contain some remnants of an earlier apocryphal work (perhaps Gnostic, Ebionite, or Diatessaronic), redacted to bring it more in line with Islamic doctrine. Some Muslims consider the surviving versions as transmitting a suppressed apostolic original. Some Islamic organizations cite it in support of the Islamic view of Jesus. And there are fine cameos from Gawn Grainger as Caiaphas seeking divine, rather than human, forgiveness and from Dona Croll as a bewinged angel.

A Public Theater presentation of the LAByrinth Theater Company production of a play in two acts by Stephen Adly Guirgis. Directed by Philip Seymour Hoffman. Malloy, Christopher (2021). False Mercy: Recent Heresies Distorting Catholic Truth. Sophia Institute Press. p.41. Thomas Sullivan ’23, who plays Jesus of Nazareth, focused on adding spirituality to his performance. “The show really challenges you to look into yourself and explore your own morality and ideology,” he said. When I left Sarah Lawrence, I was an actress,” she said. “By the time I got my master’s at Cal Arts, I was more of a multidisciplinary artist. It was there I started directing and creating original pieces, while also acting in shows.”

Letter to Clyde S. Kilby, 7 May 1959, quoted in Michael J. Christensen, C. S. Lewis on Scripture, Abingdon, 1979, Appendix A.

Tres versiones de Judas" (English title: "Three Versions of Judas") is a short story by Argentine writer and poet Jorge Luis Borges; it was included in Borges's anthology Ficciones, published in 1944, and revolves around the main character's doubts about the canonical story of Judas who instead creates three alternative versions. [139] Personally, I found the performances of Marie-Ange Camara as Saint Monica and of Saul Bailey as Satan particularly engaging. Camara her character with a brilliant explosion of over-the-top energy, interacting a couple of times with audience members as she moved through the auditorium to the stage. In contrast to this, Bailey’s ability to portray Satan as a cool, calm and very humorous figure who has a surprisingly positive attitude to God bears witness to his skill as an actor.

Ehrman argues that Judas's betrayal "is about as historically certain as anything else in the tradition", [4] [17] pointing out that the betrayal is independently attested in the Gospel of Mark, in the Gospel of John, and in the Book of Acts. [4] [17] Ehrman also contends that it is highly unlikely that early Christians would have made up the story of Judas's betrayal, since it reflects poorly on Jesus's judgement in choosing him as an apostle. [4] [34] Nonetheless, Ehrman argues that what Judas actually told the authorities was not Jesus's location, but rather Jesus's secret teaching that he was the Messiah. [4] This, he holds, explains why the authorities did not try to arrest Jesus prior to Judas's betrayal. [4] John P. Meier sums up the historical consensus, stating, "We only know two basic facts about [Judas]: (1) Jesus chose him as one of the Twelve, and (2) he handed over Jesus to the Jerusalem authorities, thus precipitating Jesus's execution." [35] Death [ edit ] 16th-century fresco from Tarzhishte Monastery, Strupets, Bulgaria, showing Judas hanging himself as described in Matthew 27:1–10

Gueranger, O.S.B., Prosper (2021). The Liturgical Year. Vol.6: Passiontide and Holy Week: Preserving Christian Publications. p.375. {{ cite book}}: CS1 maint: location ( link)

Ben Brantley (3 March 2005). "THEATER REVIEW; Judas Gets His Day in Court, but Satan Is on the Witness List". The New York Times . Retrieved 6 November 2013. a b Stein, Robert H. (2009). "Criteria for the Gospels' Authenticity". In Paul Copan; William Lane Craig (eds.). Contending with Christianity's Critics: Answering New Atheists & Other Objectors. Nashville, Tennessee: B&H Publishing Group. p.93. ISBN 978-0805449365. As I mentioned prior, I was also a fan of Pontius Pilate's scene. Another part that I enjoyed was Simon the Zealot's portion. I really don't have much to say specifically about those parts other than I enjoyed them and found both their characters to be very compelling to the narrative of the story. This scene also was not constantly bogged down by leagues of failed jokes, as other parts did (Mother Teresa's and Judas' Mother's for example), so that may have an impact. Sorry for not going further into this point, I find myself having less specifics to say about moments that I simply liked versus moments that I hated haha. Brown, Raymond (1998). The Death of the Messiah, From Gethsemane to the Grave, Volume 1: A Commentary on the Passion Narratives in the Four Gospels. New Haven, Connecticut: Yale University Press. p.912. ISBN 978-0300140095. There are variant traditions about how Judas Iscariot died. According to Matthew 27:3–10, Judas felt remorse after seeing Jesus condemned to death, and he returned the silver and hanged himself. According to Acts1:18, Judas bought a field with his silver reward and fell “headlong” in it, and “all his bowels gushed out,” implying that he threw himself down rather than that he died accidentally.

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