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The Complete MAUS, english edition: Art Spiegelman

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Again, not just the Krauts. Both are not wanted questions that will still take much time to be answered, because no company, government, or religion wants to have anything to do with mass murder and war. But today, with big history and more and more facts coming up, it´s quite clear to see who gave money, not just to the Nazi party, but to all the varieties of it in the UK, US, France, etc. It´s just that nobody talks about that, just as slavery and colonialism tend to be avoided as unwanted elephants in the room, no matter how omnipresent their consequences are. So the biggest bigotry lies in the fact that

Hirsch, Marianne (1997). Family Frames: Photography, Narrative, and Postmemory. Harvard University Press. ISBN 978-0-674-29265-9. A quiet triumph, moving and simple—impossible to describe accurately, and impossible to achieve in any medium but comics.”—The Washington Post Pekar, Harvey (December 1986). " Maus and Other Topics". The Comics Journal. Fantagraphics Books (113): 54–57. ISSN 0194-7869. This one isn´t as essential as the terrifying big story itself. It could have easily been a full autobiography without Spiegelman and his complicated relationship with his father, but this personal, subjective note maybe gives it some extra identification points and makes it somehow even more memorable. Because it shows the possibility that it could have happened to everyone better than with fictional characters.

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Sales soar for 'Maus' after its banning in Tennessee". WNYT NewsChannel 13. January 28, 2022. Archived from the original on January 29, 2022 . Retrieved January 30, 2022. Just as in real history, there have been actions and politics before, during, and after the war that had big influences on what happened. To just blame the Germans would be far too superficial, one has to look at the fascist tendencies in many other countries that could have easily led to Man in the High Castle scenarios without WW2.

All too infrequently, a book comes along that’s as daring as it is acclaimed. Art Spiegelman’s Maus is just such a book.”— Esquire Horowitz, Sara R. (1997). "Art Spiegelman". In Shatzky, Joel; Taub, Michael (eds.). Contemporary Jewish-American Novelists: A Bio-Critical Sourcebook. Greenwood Publishing Group. pp.400–408. ISBN 978-0-313-29462-4. Monnin, Katie (2010). Teaching Graphic Novels: Practical Strategies for the Secondary ELA Classroom. Maupin House Publishing, Inc. ISBN 978-1-934338-40-7. A remarkable work, awesome in its conception and execution… at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant.” Harvey, R. C. (1996). The Art of the Comic Book: An Aesthetic History. University Press of Mississippi. ISBN 978-0-87805-758-0.Eisner Awards staff (2012). "Complete List of Eisner Award Winners". San Diego Comic-Con International. Archived from the original on April 27, 2011 . Retrieved January 31, 2012. Ewert, Jeanne (2004). "Art Spiegelman's Maus and the Graphic Narrative". In Ryan, Marie-Laure (ed.). Narrative Across Media: The Languages of Storytelling. University of Nebraska Press. pp.180–193. ISBN 978-0-8032-8993-2. One of my favourite parts of Maus was the relationship between Art and Vladek. Art has a lot of guilt over having such an easy life when his parents went through a hell he couldn't even imagine. Even so, Art and Vladek have a pretty normal father/son relationship. I felt so bad for Vladek at times with the way Art would treat him but it was a normal father/son relationship in the way that sons don't always treat their fathers the best. You know, as in the movie Life is Beautiful where the horrors of the Holocaust are there, but still there is space for some humorous moments, that they help as tension relief without meaning any disrespect to the tragic historic event. I nazisti descrivevano gli ebrei come immondi parassiti, portatori di peste e corruzione, che invadono l’Europa (qualcuno adesso prova a usare la stessa immagine per chi arriva d’oltremare): Spiegelman disegna gli ebrei come topi, i nazisti come gatti, i polacchi come maiali.

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