Prospero's Daughter

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Alonso’s teenage son, Ferdinand, has been separated from the group and has landed on another part of the island. He believes that everyone else was drowned. A character analysis of Prospero is complicated by his being a magician. So the question is, what are we seeing when we look at Prospero? A complete human being who has to rely on his natural resources, or someone above the need for that, who lives his life by practicing magic? Meanwhile, the Duke Antonio and King Alonso are wandering about with their servants, Sebastian and Gonzalo. There’s a bit of a mid-snooze assassination attempt, but Ariel wakes them up.

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Timothy West, 1992 (voice of Prospero in abridged animated production for Shakespeare: The Animated Tales) Later on, she and her new husband enjoy a masque put on by her father in celebration of their nuptials. The celebration is interrupted by Prospero's sudden remembrance of Caliban's plot against him, after which Miranda displays a strong concern for her father's well-being.

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Prospero is the rightful Duke of Milan, whose usurping brother, Antonio, had put him (with his three-year-old daughter, Miranda) to sea on a "rotten carcass" of a boat to die, twelve years before the play begins. Prospero and Miranda had survived and found exile on a small island. He has learned sorcery from books, and uses it while on the island to protect Miranda and control the other characters. In the universe of Warhammer: 40,000 and further fleshed out in The Horus Heresy series, several books take place on a planet called Prospero, home of Magnus the Red and his Thousand Sons Space Marine legion. The citizens of the planet are versed in sorcery and psychic powers, earning them the suspicion and ire of the rest of the Imperium of Man. [10]

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In the manga series One Piece, a character with the name Perospero appears in chapter 834, partly inspired by Prospero. His mother, Charlotte Linlin also seems to be inspired by the character as she is the one to use magic to control everything on the Island with her soul. During the encounter Miranda once again stands up to her father, arguing against his harsh treatment of Ferdinand and defending his honour when Prospero refers to him as nothing more than another Caliban. Slights, Jessica. "Rape and Romanticization of Shakespeare's Miranda." SEL: Studies in English Literature 1500–1900. 42.2 (2001): 357–379. Critic Jessica Slights creates claims that although many declare that Miranda only reflects the image of an obedient and subservient woman; she argues Miranda's character is independent. Miranda's upbringing shapes her character and the view of the world around her. She is not confined to social constructs as she did not grow up within a conventional society. This leads Miranda to view the world without preconceived ideas. Prospero is the main guardian in her life, but she developed personality traits such as kind-heartedness that are, as many describe, distinct in comparison to Prospero’s. In addition, she challenged the rules of traditional courtship when she pursued Ferdinand. Ferdinand and Miranda see each other and, as anticipated and directed by Prospero, they fall in love. The butler and the jester meet Prospero’s slave, Caliban, who believes he has a claim on the island, and together they plan to overthrow Prospero.Rev. Dr. Krauth. A New Variorum Edition of Shakespeare: The tempest. IX. Ed. Furness, Horace Howard. Philadelphia: J. B. Lippincott Company, 1892. 73–74. Print.

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Critic Lorie Leininger argues that Miranda fits into the colonialist interpretation of The Tempest in that Prospero's use of Miranda as an unwitting player in his political revenge is expressive of the play's sexist attitude towards women. [10] Leininger equates that the sexist attitudes displayed towards Miranda are equitable to the undercurrents of racism shown in the treatment of Caliban. She states that Prospero's treatment of Miranda is in essence the same as his treatment of Caliban, describing his attitude towards both as indicative of their subjugation within the social hierarchy of the Island.Staunton. A New Variorum Edition of Shakespeare: The tempest. IX. Ed. Furness, Horace Howard. Philadelphia: J. B. Lippincott Company, 1892. 73–74. Print. An old, honest lord, Gonzalo helped Prospero and Miranda to escape after Antonio usurped Prospero’s title. Gonzalo’s speeches provide an important commentary on the events of the play, as he remarks on the beauty of the island when the stranded party first lands, then on the desperation of Alonso after the magic banquet, and on the miracle of the reconciliation in Act V, scene i.