Sex Seen: The Emergence of Modern Sexuality in America

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There isn’t any actual sex in Goodbye to Language, but one nudity-filled sequence invites so much audience interaction that people might remember things differently. As actors Chevallier and Bruneau have a conversation in the nude, Godard splits the image apart, assigning each of his 3-D cameras to its own eye. The resulting effect allows viewers to choose their own adventure, closing one eye to see Bruneau’s pubic hair, and another to see Chevallier’s flaccid penis. Eternals, Marvel’s sprawling, cod-philosophical saga of godlike beings protecting Earth from alien beasties. Sébastien Lifshitz’s award-winning film is a portrait of Stéphanie (Michelini), a transgender Frenchwoman somewhat suspended in love between her two roommates: Djamel (Yasmine Belmadi), an Algerian hustler, and Mikhail (Nikitine), a Russian soldier gone AWOL.

Goodie-goodie Amy greets her would-be saviour – Harris’s ultra-rich, domineering tech bro – with some particularly rough after-work nookie. Then, mid-coitus, she slashes his throat, showering her with blood. She then she frames the extra-stiff stiff for kidnapping and sexual assault. Finally, someone in the MCU has sex. Two people, in fact. The remarkably well-preserved centuries-old couple Sersi and Ikaris enjoy a PG tumble in a break from baddy-fighting. The worst film in the history of the Cannes Film Festival’ according to Roger Ebert (before Gallo trimmed 26 minutes from his original cut, prompting Ebert to reconsider), this meditative art-house drama follows a motorcycle racer’s cross-country journey as he’s haunted by the memory of his ex-girlfriend. From the latter cut, naturally, comes the famous lesbian scene, starring PenthousePets Anneka di Lorenzo and Lori Wagner, who engage in a three-minute romp with zero relevance to the plot. Danish provocateur Von Trier explores the increasingly troubled sex life of self-confessed sex addict Joe, played by two different actors at different ages. Von Trier’s epic was so long, he split it into two volumes.

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Having shared a dark childhood secret – about his kid brother getting murdered by apes – actor-turned-secret paramilitary officer Gary finally seals the deal with teammate Lisa, as the two retire to the boudoir to bump wood in a variety of positions no major studio would dare attempt with two flesh-and-blood humans. We are living in puritanical times. If you’ve followed the ongoing debate over sex scenes that’s carried out on social media over the last few years – and if you haven’t, well, congratulations – then you’ll know the one thing that unites progressive-minded zoomers and pearl-clutching conservatives is an aversion to cinematic boning. The argument goes that sex scenes rarely add anything to the plot of a movie, nor develop characters, and exist simply to gratify the perv in the director’s chair and make the prudes in the audience squirm in their chairs. It’s a flawed viewpoint, but in fairness, given Hollywood’s general shift away from showing sexuality on screen, it’s entirely possible that younger folks have simply never seen a good sex scene. Pichul’s nihilistic drama, an enduring emblem of the Soviet Union during perestroika, follows a wild Russian girl as she falls in love with a man whom her family violently disapproves of.

Cary Grant is a New York ad man mistaken for a spy and pursued across America by a shady cabal, sending him scurrying through cornfields, scaling Mount Rushmore and eventually crawling into the arms of femme fatale Eva Marie Saint, who might also be playing him for a mark. For his first sex scene, Diggler (Wahlberg) is paired with veteran porn icon Amber Waves (Moore). As the astonished crew witnesses the emergence of a major new talent, Amber’s warm maternal instincts help put her young costar at ease. The movie is full of professional penetration, but this scene – the Big Bang at the beginning of Dirk’s new life – is unique for its sweetness. A violent drifter (Elizabeth Berkley, of Saved By the Bell fame) blows into Las Vegas, determined to climb the ranks of Sin City’s glamorous and highly competitive exotic dance scene.

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Wong won Best Director at the Cannes Film Festival for this romantic whirlwind, starring Leung and Cheung as two Hong Kong expats living in Buenos Aires. After some smoldering chemistry and a spot of light plumbing, Corky (Gershon) and Violet (Tilly) fall hard for each other – at least, as hard it’s possible to in a movie where no one seems entirely trustworthy. Before long, they’re naked on Corky’s mattress, out of sight of Violet’s mobster boyfriend Caesar (Joe Pantoliano). A widower (Brando) and a young Parisian woman (Schneider) engage in an anonymous sexual relationship that can’t honestly be called ‘casual’, and soon goes beyond gratification into realms of dominance and obsession. Oshima’s 1976 masterpiece – the crown jewel of a career hell-bent on upsetting the establishment – recounts the true story of the all-consuming sexual obsession that blossomed between a hotel owner and his new employee in 1936 Tokyo.